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Track List
01) Dance Tonight
02) Ever Present Past
03) See Your Sunshine
04) Only Mama Knows
05) You Tell Me
06) Mr. Bellamy
07) Gratitude
08) Vintage Clothes
09) That Was Me
10) Feet in the Clouds
11) House of Wax
12) The End of the End
13) Nod Your Head
01) Dance Tonight
02) Ever Present Past
03) See Your Sunshine
04) Only Mama Knows
05) You Tell Me
06) Mr. Bellamy
07) Gratitude
08) Vintage Clothes
09) That Was Me
10) Feet in the Clouds
11) House of Wax
12) The End of the End
13) Nod Your Head
2:54
2:57
3:20
4:17
3:15
3:39
3:19
2:22
2:38
3:24
4:59
2:57
1:58
Data Complete
80%
Total Rating
80%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2007
Rock
Philosophical
Rock/Pop
---
Medium
Album
779,563 copies
Album Description
Available in:
Memory Almost Full — четырнадцатый сольный студийный альбом Пола Маккартни, вышедший 1 июня 2007 года (Германия) / 4 июня 2007 года (Великобритания) / 5 июня 2007 года (США). Первый его альбом на лейбле Starbucks' Hear Music.
Запись происходила в 2003 и 2007 годах. Продюсер — Дэвид Кан.
Memory Almost Full вышел в трёх редакциях: Standard, Limited (с дополнительным буклетом) и Limited Deluxe с бонус-диском, на котором представлены дополнительные три трека и интервью с Полом о создании альбома. Также альбом вышел на 180-граммовом виниле с обложкой, раскладывающейся в постер.
User Album Review
Started before and completed after the downbeat-yet-still-satisfying Chaos And Creation In The Backyard, Memory Almost Full is a perfect capture of Paul McCartney, the pop star. With a huge sweep of his musical past at his fingertips and fully aware that he is the most newsworthy he's been for years, McCartney returns with the first album in his career for a company other than EMI.
The fact that we're talking Hear Music, the label of Starbucks, as his main partner almost takes music full circle right back to the coffee bars that were all so much the rage in Macca's youth. But this is no skiffle record; but there's certainly a whiff of straightforward, direct pop with the unabashed wistfulness of its predecessor left to one side. This is his first album that marries the globe-trotting crowd-pleasing McCartney of late with his huge, adoring live audience as opposed to the dark stuff of Driving Rain and Chaos. But then, let's be frank, it has been something of a tumultuous decade for the old boy.
What we have is clean, clear, upbeat McCartney, referencing virtually every part of his 45 years as a recording artist with some very strong song writing (although “Mr Bellamy” actually manages to sound like 10cc). “See Your Sunshine” has that lovely summer feel that evokes “Arrow Through Me” or “Heaven On A Sunday”; “Gratitude” could have been on the White Album. “That Was Me” fully acknowledges his Fab past. He strolls back to the medley of Abbey Road to close, climaxing with the moving “House Of Wax” before writing his own funeral song in “End Of The End”.
When you see Paul McCartney in concert, there is that moment when you see his old footage behind him and you are amazed that it's the same guy there in front of you. Memory Almost Full has the same effect ”“ unashamedly nostalgic and not without its flaws, it still sounds very much of the now, something that a Macca album hasn't done in a while.
External Album Reviews
None...
User Comments
Available in:
Memory Almost Full — четырнадцатый сольный студийный альбом Пола Маккартни, вышедший 1 июня 2007 года (Германия) / 4 июня 2007 года (Великобритания) / 5 июня 2007 года (США). Первый его альбом на лейбле Starbucks' Hear Music.
Запись происходила в 2003 и 2007 годах. Продюсер — Дэвид Кан.
Memory Almost Full вышел в трёх редакциях: Standard, Limited (с дополнительным буклетом) и Limited Deluxe с бонус-диском, на котором представлены дополнительные три трека и интервью с Полом о создании альбома. Также альбом вышел на 180-граммовом виниле с обложкой, раскладывающейся в постер.
User Album Review
Started before and completed after the downbeat-yet-still-satisfying Chaos And Creation In The Backyard, Memory Almost Full is a perfect capture of Paul McCartney, the pop star. With a huge sweep of his musical past at his fingertips and fully aware that he is the most newsworthy he's been for years, McCartney returns with the first album in his career for a company other than EMI.
The fact that we're talking Hear Music, the label of Starbucks, as his main partner almost takes music full circle right back to the coffee bars that were all so much the rage in Macca's youth. But this is no skiffle record; but there's certainly a whiff of straightforward, direct pop with the unabashed wistfulness of its predecessor left to one side. This is his first album that marries the globe-trotting crowd-pleasing McCartney of late with his huge, adoring live audience as opposed to the dark stuff of Driving Rain and Chaos. But then, let's be frank, it has been something of a tumultuous decade for the old boy.
What we have is clean, clear, upbeat McCartney, referencing virtually every part of his 45 years as a recording artist with some very strong song writing (although “Mr Bellamy” actually manages to sound like 10cc). “See Your Sunshine” has that lovely summer feel that evokes “Arrow Through Me” or “Heaven On A Sunday”; “Gratitude” could have been on the White Album. “That Was Me” fully acknowledges his Fab past. He strolls back to the medley of Abbey Road to close, climaxing with the moving “House Of Wax” before writing his own funeral song in “End Of The End”.
When you see Paul McCartney in concert, there is that moment when you see his old footage behind him and you are amazed that it's the same guy there in front of you. Memory Almost Full has the same effect ”“ unashamedly nostalgic and not without its flaws, it still sounds very much of the now, something that a Macca album hasn't done in a while.
External Album Reviews
None...
User Comments
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