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Track List
01) Battery
02) Master of Puppets
03) The Thing That Should Not Be
04) Welcome Home (Sanitarium)
05) Disposable Heroes
06) Leper Messiah
07) Orion
08) Damage, Inc.
01) Battery
02) Master of Puppets
03) The Thing That Should Not Be
04) Welcome Home (Sanitarium)
05) Disposable Heroes
06) Leper Messiah
07) Orion
08) Damage, Inc.
5:11
8:38
6:39
6:27
8:21
5:42
8:27
5:31
Data Complete
90%
Total Rating
90%Total Rating
(13 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1986
Thrash Metal
Angry
Metal
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Medium
Album
0 copies
Album Description
Available in:
Master of Puppets è il terzo album in studio del gruppo musicale statunitense Metallica, pubblicato il 3 marzo 1986 dalla Elektra Records e il 7 marzo dello stesso anno dalla Music for Nations.
Il disco si posizionò alla posizione 29 nella Billboard 200 e fu il primo album della band a superare le 500.000 copie. Attualmente l'album ha venduto oltre sei milioni di copie negli Stati Uniti e divenne sei volte disco di platino dalla RIAA.
Inoltre si tratta dell'ultimo disco pubblicato con il bassista Cliff Burton, che morì in un incidente durante il tour promozionale per l'album.
Grazie alle doti compositive dei singoli componenti del gruppo, l'album riesce a ritagliarsi un posto di prima grandezza nel mondo del thrash metal; dalla maggior parte della critica specializzata viene considerato come il miglior album del gruppo, nonché uno dei più riusciti dischi heavy metal di sempre. Da notare la buonissima produzione per l'epoca (1986): come riportò James Hetfield in varie interviste, venne data una grande attenzione allo spessore e alla potenza del suono delle chitarre, caratteristiche che con il tempo divennero uno dei punti di riferimento per il genere.
User Album Review
Master Of Puppets, was their third album, released after their move to major label Elektra Records in 1986, in spite of not containing any singles it was the breakthrough to US rock radio airplay that they'd been looking for.
It’s hard, fast, rock with substance that doesn’t require the listener to wear eye-liner or big fire-hazard hair to enjoy. It also features more serious themes (albeit expressed in a particularly aggressive and direct way) and more complex arrangements than similar acts of the same era. And, praise the Lord, they’re not singing about hotels, or lost summers, or convertibles, or goblins or lipstick and eye-liner and especially, absolutely, definitely not GIRLS.
The lazy, “thrash” the tag doesn’t do the album justice. This is probably among the slowest thrash you'll ever hear, what it is is a very heavy, joyously aggressive record, packed with melody, that feels genuinely inclusive, and is superbly written and performed. Hetfield’s a master of establishing; maintaining and manipulating musical tension and mood, creating songs that really suck you in. This is hard rock as high drama (without the opera).
At this stage in their careers Metallica weren't even doing songs (unless they were covers). They were telling stories; every song is an event, parables of almost biblical proportions that you ignore at your peril. They also happen to rock really hard. Manipulation, deadly sea-monsters, mental breakdown, teenage conscription and subsequent transformation into cannon fodder, corrupt authority, scientology and, err, being a puppet (well there has to be some light relief) – all fine subjects for this band.
After listening to "The Thing That Should Not Be" you'll be sure that you’ve just survived a shark attack and convinced you smell a bit salty. “Welcome Home (Sanitarium)” will make you question your sanity, “Disposable Heroes” will convince you to quit the army (even if you're not a member)...that's the power of the stories on this album.
Roll up and enjoy Metallica, before they became slightly introverted and then went soft altogether.
External Album Reviews
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User Comments
Available in:
Master of Puppets è il terzo album in studio del gruppo musicale statunitense Metallica, pubblicato il 3 marzo 1986 dalla Elektra Records e il 7 marzo dello stesso anno dalla Music for Nations.
Il disco si posizionò alla posizione 29 nella Billboard 200 e fu il primo album della band a superare le 500.000 copie. Attualmente l'album ha venduto oltre sei milioni di copie negli Stati Uniti e divenne sei volte disco di platino dalla RIAA.
Inoltre si tratta dell'ultimo disco pubblicato con il bassista Cliff Burton, che morì in un incidente durante il tour promozionale per l'album.
Grazie alle doti compositive dei singoli componenti del gruppo, l'album riesce a ritagliarsi un posto di prima grandezza nel mondo del thrash metal; dalla maggior parte della critica specializzata viene considerato come il miglior album del gruppo, nonché uno dei più riusciti dischi heavy metal di sempre. Da notare la buonissima produzione per l'epoca (1986): come riportò James Hetfield in varie interviste, venne data una grande attenzione allo spessore e alla potenza del suono delle chitarre, caratteristiche che con il tempo divennero uno dei punti di riferimento per il genere.
User Album Review
Master Of Puppets, was their third album, released after their move to major label Elektra Records in 1986, in spite of not containing any singles it was the breakthrough to US rock radio airplay that they'd been looking for.
It’s hard, fast, rock with substance that doesn’t require the listener to wear eye-liner or big fire-hazard hair to enjoy. It also features more serious themes (albeit expressed in a particularly aggressive and direct way) and more complex arrangements than similar acts of the same era. And, praise the Lord, they’re not singing about hotels, or lost summers, or convertibles, or goblins or lipstick and eye-liner and especially, absolutely, definitely not GIRLS.
The lazy, “thrash” the tag doesn’t do the album justice. This is probably among the slowest thrash you'll ever hear, what it is is a very heavy, joyously aggressive record, packed with melody, that feels genuinely inclusive, and is superbly written and performed. Hetfield’s a master of establishing; maintaining and manipulating musical tension and mood, creating songs that really suck you in. This is hard rock as high drama (without the opera).
At this stage in their careers Metallica weren't even doing songs (unless they were covers). They were telling stories; every song is an event, parables of almost biblical proportions that you ignore at your peril. They also happen to rock really hard. Manipulation, deadly sea-monsters, mental breakdown, teenage conscription and subsequent transformation into cannon fodder, corrupt authority, scientology and, err, being a puppet (well there has to be some light relief) – all fine subjects for this band.
After listening to "The Thing That Should Not Be" you'll be sure that you’ve just survived a shark attack and convinced you smell a bit salty. “Welcome Home (Sanitarium)” will make you question your sanity, “Disposable Heroes” will convince you to quit the army (even if you're not a member)...that's the power of the stories on this album.
Roll up and enjoy Metallica, before they became slightly introverted and then went soft altogether.
External Album Reviews
None...
User Comments
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