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Track List
01) Let There Be More Light
02) Remember a Day
03) Set the Controls for the Heart of the Sun
04) Corporal Clegg
05) A Saucerful of Secrets
06) See-Saw
07) Jugband Blues
01) Let There Be More Light
02) Remember a Day
03) Set the Controls for the Heart of the Sun
04) Corporal Clegg
05) A Saucerful of Secrets
06) See-Saw
07) Jugband Blues
5:38
4:33
5:27
4:12
11:59
4:36
3:01
Data Complete
80%
Total Rating
80%Total Rating
(3 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1968
Progressive Rock
Dreamy
Rock/Pop
---
Fast
Album
0 copies
Album Description
Available in:
A Saucerful of Secrets é o segundo álbum de estúdio da banda inglesa Pink Floyd. Foi gravado nos estúdios EMI Abbey Road Studios, Reino Unido entre Agosto de 1967 e Abril de 1968.
Barrett ficou cada vez mais instável durante as gravações para A Saucerful of Secrets, e Gilmour foi chamado para substitui-lo. O álbum é, por causa disso, o único a contar com a participação de todos os membros da banda. Syd Barrett tocou em três faixas (Remember a Day, Set the Controls for the Heart of the Sun e Jugband Blues) e Gilmour tocou em cinco (Let There Be More Light, Set the Controls for the Heart of the Sun, Corporal Clegg, A Saucerful of Secrets e See-Saw). De acordo com uma entrevista de Gilmour para o documentário Which One's Pink?, de 2006, Set the Controls for The Heart of the Sun contem contribuições de ambos os guitarristas, o que a torna a única música de um álbum do Pink Floyd onde todos os cinco membros participam. Barrett finalmente saiu da banda em Março de 1968. Richard Wright canta em cinco das sete músicas; este álbum é o único álbum da banda onde ele é o vocalista principal na maioria das faixas. Também é o único álbum da banda onde todos assumem o Lead Vocal em alguma música, e seria o único onde Nick Mason é o vocalista principal de alguma música, não fosse por sua única frase em One of These Days I'm Going to Cut You Into Little Pieces, de Meddle.
User Album Review
Recorded over the end of 1967 and early 1968, A Saucerful Of Secrets is transitional record that marked Syd Barrett's final recordings with Pink Floyd and the birth of their 'space rock' direction. It was also the recorded debut of new boy David Gilmour, finding his feet only on the incredible yet somewhat buried solo at the end of "Let There Be More Light".
A Saucerful Of Secrets is not without filler, catching the band regrouping after Barrett's departure – Rick Wright's "See Saw" had the working title of 'The Most Boring Song I've Ever Heard Bar Two', while Roger Waters' "Corporal Clegg", his first oblique rumination on the loss of his father in the Second World War, is fairly unremarkable. Yet when the record hits, it does so extremely well – the frantic, bass driven raga-like "Let There Be More Light" and the final recording the group made with Barrett, "Set The Controls For The Heart Of The Sun" develop the cosmic territory marked out by "Astronomy Domine" and "Interstellar Overdrive" from their first album. "Set The Controls" was as relevant to the underground of 1968 as their earlier material had been the previous year.
Although Barrett plays on three of the tracks, it is "Jugband Blues", recorded in November 1967 that is the most chilling. A song about loss and alienation, its sequencing as the last track really underlines his departure. The Salvation Army Band of North London's improvisation in the middle is cut abruptly short – just like Barrett's period within the group – and then, like a postcard from an outer space colony, he returns for the thirty-second coda, culminating in the lines 'And what exactly is a dream? And what exactly is a joke?' Although the group was moving forward, it was an early demonstration of just how much his spirit would inform them for the rest of their career.
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User Comments
Available in:
A Saucerful of Secrets é o segundo álbum de estúdio da banda inglesa Pink Floyd. Foi gravado nos estúdios EMI Abbey Road Studios, Reino Unido entre Agosto de 1967 e Abril de 1968.
Barrett ficou cada vez mais instável durante as gravações para A Saucerful of Secrets, e Gilmour foi chamado para substitui-lo. O álbum é, por causa disso, o único a contar com a participação de todos os membros da banda. Syd Barrett tocou em três faixas (Remember a Day, Set the Controls for the Heart of the Sun e Jugband Blues) e Gilmour tocou em cinco (Let There Be More Light, Set the Controls for the Heart of the Sun, Corporal Clegg, A Saucerful of Secrets e See-Saw). De acordo com uma entrevista de Gilmour para o documentário Which One's Pink?, de 2006, Set the Controls for The Heart of the Sun contem contribuições de ambos os guitarristas, o que a torna a única música de um álbum do Pink Floyd onde todos os cinco membros participam. Barrett finalmente saiu da banda em Março de 1968. Richard Wright canta em cinco das sete músicas; este álbum é o único álbum da banda onde ele é o vocalista principal na maioria das faixas. Também é o único álbum da banda onde todos assumem o Lead Vocal em alguma música, e seria o único onde Nick Mason é o vocalista principal de alguma música, não fosse por sua única frase em One of These Days I'm Going to Cut You Into Little Pieces, de Meddle.
User Album Review
Recorded over the end of 1967 and early 1968, A Saucerful Of Secrets is transitional record that marked Syd Barrett's final recordings with Pink Floyd and the birth of their 'space rock' direction. It was also the recorded debut of new boy David Gilmour, finding his feet only on the incredible yet somewhat buried solo at the end of "Let There Be More Light".
A Saucerful Of Secrets is not without filler, catching the band regrouping after Barrett's departure – Rick Wright's "See Saw" had the working title of 'The Most Boring Song I've Ever Heard Bar Two', while Roger Waters' "Corporal Clegg", his first oblique rumination on the loss of his father in the Second World War, is fairly unremarkable. Yet when the record hits, it does so extremely well – the frantic, bass driven raga-like "Let There Be More Light" and the final recording the group made with Barrett, "Set The Controls For The Heart Of The Sun" develop the cosmic territory marked out by "Astronomy Domine" and "Interstellar Overdrive" from their first album. "Set The Controls" was as relevant to the underground of 1968 as their earlier material had been the previous year.
Although Barrett plays on three of the tracks, it is "Jugband Blues", recorded in November 1967 that is the most chilling. A song about loss and alienation, its sequencing as the last track really underlines his departure. The Salvation Army Band of North London's improvisation in the middle is cut abruptly short – just like Barrett's period within the group – and then, like a postcard from an outer space colony, he returns for the thirty-second coda, culminating in the lines 'And what exactly is a dream? And what exactly is a joke?' Although the group was moving forward, it was an early demonstration of just how much his spirit would inform them for the rest of their career.
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