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Track List
01) Brighton Rock
02) Killer Queen
03) Tenement Funster
04) Flick of the Wrist
05) Lily of the Valley
06) Now I'm Here
07) In the Lap of the Gods
08) Stone Cold Crazy
09) Dear Friends
10) Misfire
11) Bring Back That Leroy Brown
12) She Makes Me (Stormtrooper in Stilettos)
13) In the Lap of the Gods... Revisited
01) Brighton Rock
02) Killer Queen
03) Tenement Funster
04) Flick of the Wrist
05) Lily of the Valley
06) Now I'm Here
07) In the Lap of the Gods
08) Stone Cold Crazy
09) Dear Friends
10) Misfire
11) Bring Back That Leroy Brown
12) She Makes Me (Stormtrooper in Stilettos)
13) In the Lap of the Gods... Revisited
5:11
3:00
2:47
3:17
1:45
4:15
3:22
2:16
1:08
1:50
2:15
4:09
3:45
Data Complete
90%
Total Rating
90%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1974
Rock
Rousing
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Sheer Heart Attack (dt. Schierer Herzanfall) ist das Ende 1974 erschienene, dritte Studioalbum der britischen Rockgruppe Queen. Ein gleichnamiges Lied erschien erst drei Jahre später auf dem Album News of the World.
Mit Sheer Heart Attack erschien am 1. November 1974 lediglich acht Monate nach Queen II ein weiteres Studioalbum der Band. Mitte Mai hatten Queen ihre Tournee durch die USA abbrechen müssen, nachdem Brian May an Hepatitis erkrankt war. Daraufhin begannen bald die Vorbereitungen für das neue Album, dessen Entstehungsgeschichte insbesondere durch die zeitweise Abwesenheit von May geprägt war. Während dieser erst an den Nachwirkungen seiner Hepatitis-Infektion litt und sich später auch noch einer Operation unterziehen musste, arbeiteten die drei weiteren Queen-Mitglieder gemeinsam mit Produzent Roy Thomas Baker an den Aufnahmen zu Sheer Heart Attack; Mays Gitarrenspuren wurden teils erst nachträglich eingefügt. Die Aufnahmesessions fanden zwischen Juli und September statt.
Kennzeichnend für das Album ist die von Heavy Metal über Balladen bis hin zu Music-Hall-Anklängen reichende weite Auswahl an verschiedenen musikalischen Stilrichtungen, wobei sich die Songs trotz dieser Vielfalt zu einem geschlossenen Album zusammenfügen. Erstmals ist mit Misfire auch eine Komposition von John Deacon, dem jüngsten Bandmitglied von Queen, enthalten.
Sheer Heart Attack brachte für Queen den kommerziellen Durchbruch. Sowohl die einen Monat vorher erschienene Single Killer Queen als auch das Album verfehlten mit jeweils Rang 2 die Spitze der britischen Charts nur knapp. In den USA gelangte erstmals eine Queen-Single in die Charts: Killer Queen erreichte wie das Album Platz 12. Gold-Status bei den Verkaufszahlen erlangte das Album in den USA und in Großbritannien.
Verantwortlich für das Konzept des Album-Covers waren Queen. Fotografiert hatte erneut Mick Rock.
(Wikipedia)
User Album Review
Having turned out two perfectly adequate albums of fantasy-tinged heavy rock, Queen were in desperate need of some commercial solace. A support slot on Mott The Hoople’s American tour and a minor hit (with “Seven Seas Of Rhye”) had left critics and fans eagerly awaiting their next move. But, following a gruelling touring agenda, disaster was to strike. Guitarist Brian May (he of the clogs and PhD in astrophysics) fell ill with hepatitis and the band were forced to begin work on their new album as a threesome.
Fate was on the band’s side. The tracks laid down in May’s absence had a sparseness that he could finally embellish to his full satisfaction (ie: LOADS). Also, ironically, the band was forced to dig into their back catalogue to come up with material. Both Mercury and May put forward future classics that had been numbers with their old bands: May’s “Brighton Rock” (formerly a Smile song called “Blag”) and Mercury’s “Stone Cold Crazy” (from his old band Wreckage). The latter presaged speed metal by years, eventually being covered by Metallica.
By this time the band had honed their Zeppelin-meets-Hendrix-in-Biba sound to perfection. Mercury’s “Lily Of The Valley” retains the same campness that blighted their previous work but “Killer Queen” was three minutes of romping pop perfection. May was now the master of the delay pedal (“Brighton Rock” was a future live guitar marathon showcase) Most importantly this was a band with new experiences and maturity to draw on. May’s “Now I’m Here” details their touring experiences with Mott while Mercury turned in one of his patent character assassinations with “Flick Of The Wrist”. It was also a truly group effort. Both Taylor and Deacon debuted songs on SHA. Taylor’s “Tenement Funster” is pure cod-rock nonsense but his stratospheric vocals and Bonham-esque drumming were now an integral part of the Queen sound. Deacon showed how his grasp of pop dynamics on the brief “Misfire” would lead to him writing some of the band’s most enduring hits.
In anticipation of their next album, they stretched contemporary production methods to their very limit with multi-layered vocals and guitars and Freddie’s vaudevillian streak finally emerged (“Bring Back That Leroy Brown”). This was the album that finally saw Queen find their true voice(s). Ending with the louche, grandiose ''In The Lap Of The Gods”¦Revisited'', the album remains a perfect example of their baroque and roll.
External Album Reviews
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User Comments
Available in:
Sheer Heart Attack (dt. Schierer Herzanfall) ist das Ende 1974 erschienene, dritte Studioalbum der britischen Rockgruppe Queen. Ein gleichnamiges Lied erschien erst drei Jahre später auf dem Album News of the World.
Mit Sheer Heart Attack erschien am 1. November 1974 lediglich acht Monate nach Queen II ein weiteres Studioalbum der Band. Mitte Mai hatten Queen ihre Tournee durch die USA abbrechen müssen, nachdem Brian May an Hepatitis erkrankt war. Daraufhin begannen bald die Vorbereitungen für das neue Album, dessen Entstehungsgeschichte insbesondere durch die zeitweise Abwesenheit von May geprägt war. Während dieser erst an den Nachwirkungen seiner Hepatitis-Infektion litt und sich später auch noch einer Operation unterziehen musste, arbeiteten die drei weiteren Queen-Mitglieder gemeinsam mit Produzent Roy Thomas Baker an den Aufnahmen zu Sheer Heart Attack; Mays Gitarrenspuren wurden teils erst nachträglich eingefügt. Die Aufnahmesessions fanden zwischen Juli und September statt.
Kennzeichnend für das Album ist die von Heavy Metal über Balladen bis hin zu Music-Hall-Anklängen reichende weite Auswahl an verschiedenen musikalischen Stilrichtungen, wobei sich die Songs trotz dieser Vielfalt zu einem geschlossenen Album zusammenfügen. Erstmals ist mit Misfire auch eine Komposition von John Deacon, dem jüngsten Bandmitglied von Queen, enthalten.
Sheer Heart Attack brachte für Queen den kommerziellen Durchbruch. Sowohl die einen Monat vorher erschienene Single Killer Queen als auch das Album verfehlten mit jeweils Rang 2 die Spitze der britischen Charts nur knapp. In den USA gelangte erstmals eine Queen-Single in die Charts: Killer Queen erreichte wie das Album Platz 12. Gold-Status bei den Verkaufszahlen erlangte das Album in den USA und in Großbritannien.
Verantwortlich für das Konzept des Album-Covers waren Queen. Fotografiert hatte erneut Mick Rock.
(Wikipedia)
User Album Review
Having turned out two perfectly adequate albums of fantasy-tinged heavy rock, Queen were in desperate need of some commercial solace. A support slot on Mott The Hoople’s American tour and a minor hit (with “Seven Seas Of Rhye”) had left critics and fans eagerly awaiting their next move. But, following a gruelling touring agenda, disaster was to strike. Guitarist Brian May (he of the clogs and PhD in astrophysics) fell ill with hepatitis and the band were forced to begin work on their new album as a threesome.
Fate was on the band’s side. The tracks laid down in May’s absence had a sparseness that he could finally embellish to his full satisfaction (ie: LOADS). Also, ironically, the band was forced to dig into their back catalogue to come up with material. Both Mercury and May put forward future classics that had been numbers with their old bands: May’s “Brighton Rock” (formerly a Smile song called “Blag”) and Mercury’s “Stone Cold Crazy” (from his old band Wreckage). The latter presaged speed metal by years, eventually being covered by Metallica.
By this time the band had honed their Zeppelin-meets-Hendrix-in-Biba sound to perfection. Mercury’s “Lily Of The Valley” retains the same campness that blighted their previous work but “Killer Queen” was three minutes of romping pop perfection. May was now the master of the delay pedal (“Brighton Rock” was a future live guitar marathon showcase) Most importantly this was a band with new experiences and maturity to draw on. May’s “Now I’m Here” details their touring experiences with Mott while Mercury turned in one of his patent character assassinations with “Flick Of The Wrist”. It was also a truly group effort. Both Taylor and Deacon debuted songs on SHA. Taylor’s “Tenement Funster” is pure cod-rock nonsense but his stratospheric vocals and Bonham-esque drumming were now an integral part of the Queen sound. Deacon showed how his grasp of pop dynamics on the brief “Misfire” would lead to him writing some of the band’s most enduring hits.
In anticipation of their next album, they stretched contemporary production methods to their very limit with multi-layered vocals and guitars and Freddie’s vaudevillian streak finally emerged (“Bring Back That Leroy Brown”). This was the album that finally saw Queen find their true voice(s). Ending with the louche, grandiose ''In The Lap Of The Gods”¦Revisited'', the album remains a perfect example of their baroque and roll.
External Album Reviews
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