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Track List
01) Spiralling
02) The Lovers Are Losing
03) Better Than This
04) You Haven't Told Me Anything
05) Perfect Symmetry
06) You Don't See Me
07) Again and Again
08) Playing Along
09) Pretend That You're Alone
10) Black Burning Heart
11) Love Is the End
01) Spiralling
02) The Lovers Are Losing
03) Better Than This
04) You Haven't Told Me Anything
05) Perfect Symmetry
06) You Don't See Me
07) Again and Again
08) Playing Along
09) Pretend That You're Alone
10) Black Burning Heart
11) Love Is the End
4:19
5:04
4:04
3:47
5:12
4:03
3:50
5:35
3:47
5:23
5:40
Data Complete
80%
Total Rating
80%Total Rating
(4 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2008
Alternative Rock
Reflective
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Perfect Symmetry is the third studio album by English rock band Keane, released on 13 October 2008 in the United Kingdom. The album's title was released on 31 July 2008. The band had completely transformed their look and their new album was said to be also very unexpected. According to international Island Records manager, Jon Turner, "the general international feel is of excitement and "Spiralling" is a favourite track of the US company."
Musically, Perfect Symmetry is a departure from Keane's established piano-pop sound, with the band employing guitars for the first time since their early musical beginnings and a larger reliance on synthesizers than their previous effort Under the Iron Sea, as well as experimenting with other instruments such as the musical saw, saxophone and string arrangements. Also most notable is the emergence of a 1980s' synth pop-influenced style on most songs such as "Spiralling" and "Again and Again". The album is the result of a more relaxed and creative recording process in comparison to the tense sessions for Under the Iron Sea. One of the only piano-driven songs on the album is the track of the same name. Jesse Quin joined Keane from this album as a studio and live support member. He became an official member 3 years later.
User Album Review
Keane - are they the piano-pumping bearers of glad tidings, or the band you want to throw things at when they appear on your Sunday morning TV? Chances are it's one or the other, there's no in-between with Keane. Their brand of uplifting guitar-free cleverness (and they are clever) says nothing to many people about their lives. Yet Perfect Symmetry, their third album, confirms them as just being bloody amazing at what they know. And unashamed of it.
Their piano-led schtick is possibly the antithesis of this month's other huge release, Oasis' Dig Out Your Soul, but take even half a minute to observe the architecture of Tim Rice-Oxley's music, and there's artistry aplenty going on here. Like the other heroes/pariahs of our age, Coldplay, they deal in grand gestures: songs that will have you holding your partner's hand in shared fuzziness. But maybe such things are necessary in this age? The Radiohead-lite closer, Love Is The End, may make a hardcore indie kid's stomach turn with its choirs, strings and life-affirming message, but why is this worse than REM's Everybody Hurts? It's still a mighty, mighty song that makes the heart swell.
Being more specific; Perfect Symmetry is slightly more adventurous than previous albums, yet the band never over stretch themselves disastrously. There's no message other than the power of love and the weight of modern existence. And, while Tom Chaplin's problems may not be fully alluded to, the past year's trials and tribulations do seem to echo throughout. There's a little lack of variation and the increased use of the synthesizer to colour their limited arsenal tips occasionally into the cheese zone; especially on the by-numbers, Again And Again, or the 80s-inflected Black Burning Heart. In fact it's clear that Keane have been listening to a lot of 80s pop. The intro to handclappy Better Than This is from Bowie's Ashes To Ashes. Yes, there are guitars in here (or maybe they're samples), but it's still the piano arpeggios that lift it all up. And Chaplin's voice may never rank with a Yorke, a Stipe or even a Martin, but his tremulous throat is still perfectly pitched on tracks like You Don't See Me.
Perfect Symmetry won't make converts, and it will never be listed as a classic. But somewhere, in the darkest of nights, someone will find comfort and a spark of something worth holding onto here. Such banal power may be trivial in the scheme of modern culture, but somehow that matters not. It's still a force for good.
Keane: they might just save someone's life. Just remember that the next time you feel like throwing something at your telly.
External Album Reviews
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User Comments
Available in:
Perfect Symmetry is the third studio album by English rock band Keane, released on 13 October 2008 in the United Kingdom. The album's title was released on 31 July 2008. The band had completely transformed their look and their new album was said to be also very unexpected. According to international Island Records manager, Jon Turner, "the general international feel is of excitement and "Spiralling" is a favourite track of the US company."
Musically, Perfect Symmetry is a departure from Keane's established piano-pop sound, with the band employing guitars for the first time since their early musical beginnings and a larger reliance on synthesizers than their previous effort Under the Iron Sea, as well as experimenting with other instruments such as the musical saw, saxophone and string arrangements. Also most notable is the emergence of a 1980s' synth pop-influenced style on most songs such as "Spiralling" and "Again and Again". The album is the result of a more relaxed and creative recording process in comparison to the tense sessions for Under the Iron Sea. One of the only piano-driven songs on the album is the track of the same name. Jesse Quin joined Keane from this album as a studio and live support member. He became an official member 3 years later.
User Album Review
Keane - are they the piano-pumping bearers of glad tidings, or the band you want to throw things at when they appear on your Sunday morning TV? Chances are it's one or the other, there's no in-between with Keane. Their brand of uplifting guitar-free cleverness (and they are clever) says nothing to many people about their lives. Yet Perfect Symmetry, their third album, confirms them as just being bloody amazing at what they know. And unashamed of it.
Their piano-led schtick is possibly the antithesis of this month's other huge release, Oasis' Dig Out Your Soul, but take even half a minute to observe the architecture of Tim Rice-Oxley's music, and there's artistry aplenty going on here. Like the other heroes/pariahs of our age, Coldplay, they deal in grand gestures: songs that will have you holding your partner's hand in shared fuzziness. But maybe such things are necessary in this age? The Radiohead-lite closer, Love Is The End, may make a hardcore indie kid's stomach turn with its choirs, strings and life-affirming message, but why is this worse than REM's Everybody Hurts? It's still a mighty, mighty song that makes the heart swell.
Being more specific; Perfect Symmetry is slightly more adventurous than previous albums, yet the band never over stretch themselves disastrously. There's no message other than the power of love and the weight of modern existence. And, while Tom Chaplin's problems may not be fully alluded to, the past year's trials and tribulations do seem to echo throughout. There's a little lack of variation and the increased use of the synthesizer to colour their limited arsenal tips occasionally into the cheese zone; especially on the by-numbers, Again And Again, or the 80s-inflected Black Burning Heart. In fact it's clear that Keane have been listening to a lot of 80s pop. The intro to handclappy Better Than This is from Bowie's Ashes To Ashes. Yes, there are guitars in here (or maybe they're samples), but it's still the piano arpeggios that lift it all up. And Chaplin's voice may never rank with a Yorke, a Stipe or even a Martin, but his tremulous throat is still perfectly pitched on tracks like You Don't See Me.
Perfect Symmetry won't make converts, and it will never be listed as a classic. But somewhere, in the darkest of nights, someone will find comfort and a spark of something worth holding onto here. Such banal power may be trivial in the scheme of modern culture, but somehow that matters not. It's still a force for good.
Keane: they might just save someone's life. Just remember that the next time you feel like throwing something at your telly.
External Album Reviews
None...
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