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"Born Slippy .NUXX" is a song by British electronic group Underworld. It was released in July 1996 as a single and preceded in January 1995 by the single "Born Slippy", which featured the ".NUXX" mix as a B-side.
The ".NUXX" mix was released as its own proper single in the wake of the 1996 Danny Boyle film Trainspotting, where it could be heard in the final scene. The movie stoked immense public interest in the previously little-known track, helping the single peak at number 2 on the UK Singles Chart in July 1996. The track became known as simply "Born Slippy" by the general public, despite the fact that "Born Slippy" is the title of the completely different 1995 track. The track also appears in Julien Temple's London: The Modern Babylon (2012).
The track has since appeared on countless compilations, mashup records, and remixes. Due to its immense popularity, it has been played at nearly every Underworld live performance since 1996. In 2004, It was voted the 4th best dance track ever by readers of Mixmag magazine. In 2014, NME named it the 261st greatest song of all time. Pitchfork Media named it the 31st best track of the 1990s. The Guardian called it, alongside the Chemical Brothers' "Setting Sun", the "most experimental and sonically extreme hit of the 90s."
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"Born Slippy .NUXX" is a song by British electronic group Underworld. It was released in July 1996 as a single and preceded in January 1995 by the single "Born Slippy", which featured the ".NUXX" mix as a B-side.
The ".NUXX" mix was released as its own proper single in the wake of the 1996 Danny Boyle film Trainspotting, where it could be heard in the final scene. The movie stoked immense public interest in the previously little-known track, helping the single peak at number 2 on the UK Singles Chart in July 1996. The track became known as simply "Born Slippy" by the general public, despite the fact that "Born Slippy" is the title of the completely different 1995 track. The track also appears in Julien Temple's London: The Modern Babylon (2012).
The track has since appeared on countless compilations, mashup records, and remixes. Due to its immense popularity, it has been played at nearly every Underworld live performance since 1996. In 2004, It was voted the 4th best dance track ever by readers of Mixmag magazine. In 2014, NME named it the 261st greatest song of all time. Pitchfork Media named it the 31st best track of the 1990s. The Guardian called it, alongside the Chemical Brothers' "Setting Sun", the "most experimental and sonically extreme hit of the 90s."
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House 
Energetic 
Electronic 
7,958 
103 (1%)
None 
Status
UnlockedData Complete
80%External Links
