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They have the rhythm in the skin of the drums. And the heart that beats at your fingertips. It must have happened, too: for a dozen years that the parties and meetings end in more or less rough percussion fireworks, with this very primitive desire for the communion of rhythms and the communication of sounds, he It was unstoppable for four boys to get down to it and to complete the inventory of crates and rhythmic formulas. And that they constitute a group, a music: as expected as original.
This is the adventure of Zaka Percussion: Eric Aerts and Jean-Michel Bertrand, joined by Hector Barthélémy (born in Congo) and Sidney Thiam (from Dakar). Four paths between musical theater, stage music, jazz, salsa and ethnic music. And this inventive and very explosive passion of all percussions.
Let no one imagine, for that matter, a deafening deluge or an unsullied wave. Quite the contrary: the music of Zaka Percussion, a celebration of polyrhythm, timbre and the subtlety of sounds, is one of those musics that make you more sure of your ears and your bodies. Because it knows how to make congas, bongos, timbales, balafons and other drums of water, what they carry of tradition and what they allow of modernity.Wide ThumbClearartFanartBanner User Comments