Artist Name
Coroner
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Album Only List refreshview
album thumb 1993 - Grin
album thumb 1991 - Mental Vortex
album thumb 1989 - No More Color
album thumb 1988 - Punishment for Decadence
album thumb 1987 - R.I.P.


Members
members icon 3 Male

Origin
flag Zurich, Switzerland

Genre
genre icon Thrash Metal

Style
style icon Metal

Mood
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Born

born icon 1983

Active
calendar icon 1983 to Present...

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heart icon Most Loved Tracks
3 users heart off Coroner - Masked Jackal
3 users heart off Coroner - Skeleton on Your Shoulder
3 users heart off Coroner - Semtex Revolution
3 users heart off Coroner - Die by My Hand
3 users heart off Coroner - Son of Lilith


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Artist Biography
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Coroner is a Swiss technical thrash metal band from Zurich. They garnered relatively little attention outside of Europe. Formed in 1983, the band broke up in 1996, but decided to reform 14 years later. The band performed at multiple live venues and festivals around the world in 2011 and 2012, but have said that there will be no new material. Coroner's music combines elements of thrash, progressive rock, jazz, and industrial metal with suitably gruff vocals. With their increasingly complex style of progressive rock-infused thrash, they are often labeled as "the Rush of thrash metal" by music critics. Coroner's sound then progressed and the production became more refined, resulting in the more progressive No More Color, Mental Vortex and Grin albums.

The Swiss thrash trio Coroner were originally road crew for Celtic Frost. They eventually cut their own songs, recording their demo Death Cult in 1986 with Tom G. Warrior of Celtic Frost on vocals. Their first full-length album R.I.P., released in 1987, featured bass player Ron Broder on vocals and he assumed the role for the rest of the group's existence.

The group released several albums through to 1993, ending with a greatest hits collection, Coroner, in 1995. Lack of media exposure brought this band to disbanding in 1995 — and to their farewell tour consequent to their self-titled album in January and February 1996.

Musically, Coroner evolved from a speed metal band with gothic and classical overtones like Celtic Frost and Bathory into a technical-based band. Coroner's first album, R.I.P., was based on neo-classical lines and was technical and classically influenced.

The second album, Punishment for Decadence, saw a progression into a more complex sound with a unison of bass and guitar. Tempo changes interspersed mid-paced sections and the odd slow passage between the faster passages started to emerge. Lyrically, Coroner began to write about themes such as politics and personal introspection.

No More Color was produced by Pete Hinton and the band. Coroner's music became more technical on No More Color as the guitar work was characterized by intricate modes and arpeggios, solo work that was chromatically colorful, as well as the de rigueur crunchy chords and speed runs; the drumming went beyond the 4/4 time of Coroner's two previous albums to incorporate unusual time signatures which became their trademark. Ron Royce's bass playing is also worth a mention as having an advanced three-finger technique which enables him to double the rhythm line as well as perform more intricate riffs. Prime examples of this are the opener "Die By My Hand" with its vicious riffing and the harmonic minor inspired riff in the middle of "Mistress of Deception". There is an altogether dark mood on this album that could be classified as death metal yet spans many influences from other metal genres. The closer "Last Entertainment" is a prescient take on TV. The opening track "Die By My Hand" is a classic piece of prog come death metal. It is technical but also brutal.

Mental Vortex continued the evolution over No More Color. Continuing with the previous album's technical formula, the speed metal formula was re-integrated into Coroner's sound on this album but with a tone that made it sound not at all like R.I.P. or Punishment for Decadence. There were slower songs but none of the songs on Mental Vortex stayed the same speed for very long. The songs on Mental Vortex ranged from four to eight minutes. Overall, the tone was a shift from the thrash/technical of No More Color which showed them gravitating towards their opus Grin. The last track "I Want You (She's So Heavy)" is a cover of The Beatles song, and a video was shot of it.

Grin saw a much more industrial sound and was a natural progression from Mental Vortex but was different from most of their previous material. It involved a much more reflective guitar riff and underlying bass line. It was slower and more refined in its metal sensibility. Brooding guitar over Royce's bass produced an almost hypnotic trance-like sound on some tracks. The lead guitar still shone on all tracks.

Their eponymous album, Coroner, was a compilation which contained unreleased material and a selection of hits from previous albums.

The band appears on Brütal Legend with the song "Skeleton On Your Shoulder".
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Last Edit by devastator
06th May 2021

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