90%All Releases List 
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2017 - 2016 Atomized
2014 - Peʻahi
2013 - I Wanna Be Adored
2012 - Observator
2011 - Raven in the Grave
2011 - The Christmas Song
2011 - Rarities/B-Sides
2011 - Rarities/B-Sides
2009 - In and out of Control
2009 - The Chosen One
2008 - You Want the Candy
2008 - Blush
2007 - Lust Lust Lust
2007 - Dead Sound
2005 - Pretty in Black
2005 - Love in a Trashcan
2005 - Love in a Trashcan
2003 - Chain Gang of Love
2003 - That Great Love Sound
2003 - Heartbreak Stroll
2003 - Untitled
2003 - Untitled
2002 - Attack of the Ghost Riders
view 2017 - 2016 Atomized 2014 - Peʻahi 2013 - I Wanna Be Adored 2012 - Observator 2011 - Raven in the Grave 2011 - The Christmas Song 2011 - Rarities/B-Sides 2011 - Rarities/B-Sides 2009 - In and out of Control 2009 - The Chosen One 2008 - You Want the Candy 2008 - Blush 2007 - Lust Lust Lust 2007 - Dead Sound 2005 - Pretty in Black 2005 - Love in a Trashcan 2005 - Love in a Trashcan 2003 - Chain Gang of Love 2003 - That Great Love Sound 2003 - Heartbreak Stroll 2003 - Untitled 2003 - Untitled 2002 - Attack of the Ghost RidersMembers
2 Mixed
Origin
Copenhagen,Denmark
Genre
Indie Rock
Style
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Mood
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Born
2 MixedOrigin
Copenhagen,DenmarkGenre
Indie RockStyle
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Mood
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Born
2001
Active
2001 to Present...
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Most Loved Tracks4 users
The Raveonettes - The Christmas Song4 users
The Raveonettes - The Christmas Song4 users
The Raveonettes - The Christmas Song4 users
The Raveonettes - The Christmas Song4 users
The Raveonettes - Love in a Trashcan
Music Video Links Forget That You're Young |  The Enemy |  Killer in the Streets |
 That Great Love Sound |  Let Me on Out |  The Christmas Song |
 Boys Who Rape (Should ... |  Last Dance |  Attack of the Ghost Ri... |
Artist Biography
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The Raveonettes are a Danish indie rock duo, consisting of Sune Rose Wagner (born 1973, Sønderborg, Denmark) on guitar, instruments, and vocals, and Sharin Foo (born 22 November 1973, Emmelev, Denmark) on bass, guitar and vocals. Their music is characterized by close two-part vocal harmonies inspired by The Everly Brothers coupled with hard-edged electric guitar overlaid with liberal doses of noise, very similar to The Jesus and Mary Chain. Their songs juxtapose the structural and chordal simplicity of '50s and '60s rock with intense electric instrumentation, driving beats, and often dark lyrical content (e.g., crime, drugs, murder, suicide, love, lust, and betrayal), similar to another of the band's influences, The Velvet Underground.
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