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Track List
01) Toma Conta De Mim
02) Todos Lá Para Trás
03) Voámos em Contramão
04) Hoje é o Teu Dia
05) Para os Braços da Minha Mãe
06) A.M.O.R
07) Já Morremos Mil Vezes
08) Senhor do Adeus
09) Não Estamos Sós
10) A Parte do Meio
11) Saudade É
01) Toma Conta De Mim
02) Todos Lá Para Trás
03) Voámos em Contramão
04) Hoje é o Teu Dia
05) Para os Braços da Minha Mãe
06) A.M.O.R
07) Já Morremos Mil Vezes
08) Senhor do Adeus
09) Não Estamos Sós
10) A Parte do Meio
11) Saudade É
4:57
4:18
5:17
4:00
4:12
4:20
4:59
4:33
4:49
3:40
4:25
Data Complete
30%
Total Rating
30%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2013
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Pedro Abrunhosa's new album with the Caviar Committee, with the special appearances of Camané and Duquende. Camané needs no introduction, he is one of the most brilliant fado singers of his generation. “Camané is the voice from within, the soul's obscurity and urban translucency. I think that fado is the mixture of these two virtues. Many times I traveled the country just to hear it. Magical, humble, 'storyteller', I always left his shows, as well as his records, with alleviated pain and an immense desire to, one day, write for him, interpret with him and be silent and listen to him ” says Abrunhosa. From Duquende, said Paco de Lucia: 'In Barcelona you have a monster, Duquende, who has the magic of singing, inspiration and technique. "With a long career (his first album dates from 1988), Duquende has collaborations with big names in flamenco, such as Juan Carmona, Juan Gómez, Paco de Lucia and Vicente Amigo, making a duet with a flamenco artist and with Duquende in particular was, for Pedro Abrunhosa, an old dream now come true. “In the 1980s, when I studied in Sevillha, I was already passionate about Flamenco, not casino flamenco, the one from the land, from the Andalusian plain. One night, with my double bass teacher, we went to a show by Camarón and Tomatito in a church in Alcalá de Guadaira. It was one of the most intense moments of my life as a musician. When Camarón died, he rose to his place Duquende. The voice, the density, the earth and the grain in his voice were almost a reincarnation. Duquende sings as if each sentence is the last that will go. say in that delivery ab soluta, I always saw in Flamenco, in Duquende, the strength of Soul by Otis Redding, by James Brown. Having it on my record is a symbol of how much Music builds and aggregates in centuries-old territory where the passport is the ability to be moved. ” In ‘Saudade É
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Available in:
Pedro Abrunhosa's new album with the Caviar Committee, with the special appearances of Camané and Duquende. Camané needs no introduction, he is one of the most brilliant fado singers of his generation. “Camané is the voice from within, the soul's obscurity and urban translucency. I think that fado is the mixture of these two virtues. Many times I traveled the country just to hear it. Magical, humble, 'storyteller', I always left his shows, as well as his records, with alleviated pain and an immense desire to, one day, write for him, interpret with him and be silent and listen to him ” says Abrunhosa. From Duquende, said Paco de Lucia: 'In Barcelona you have a monster, Duquende, who has the magic of singing, inspiration and technique. "With a long career (his first album dates from 1988), Duquende has collaborations with big names in flamenco, such as Juan Carmona, Juan Gómez, Paco de Lucia and Vicente Amigo, making a duet with a flamenco artist and with Duquende in particular was, for Pedro Abrunhosa, an old dream now come true. “In the 1980s, when I studied in Sevillha, I was already passionate about Flamenco, not casino flamenco, the one from the land, from the Andalusian plain. One night, with my double bass teacher, we went to a show by Camarón and Tomatito in a church in Alcalá de Guadaira. It was one of the most intense moments of my life as a musician. When Camarón died, he rose to his place Duquende. The voice, the density, the earth and the grain in his voice were almost a reincarnation. Duquende sings as if each sentence is the last that will go. say in that delivery ab soluta, I always saw in Flamenco, in Duquende, the strength of Soul by Otis Redding, by James Brown. Having it on my record is a symbol of how much Music builds and aggregates in centuries-old territory where the passport is the ability to be moved. ” In ‘Saudade É
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