Album Title
David Lee Roth
Artist Icon Skyscraper (1988)
heart off icon (0 users)
Last IconTransparent icon Next icon

Transparent Block
Cover NOT yet available in 4k icon
Join Patreon for 4K upload/download access


Your Rating (Click a star below)

Star off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off icon


Star IconStar IconStar IconStar IconStar IconStar IconStar IconStar IconStar IconStar Icon


Star IconStar IconStar IconStar IconStar IconStar IconStar IconStar IconStar IconStar Icon









2:50
4:41
3:18
4:03
3:38
3:40
5:49
3:19
4:39
4:41
3:41
4:29

Data Complete
percentage bar 50%

Total Rating

Star Icon (0 users)

Back Cover
Transparent Block

CD Art
Transparent Icon

3D Case
Transparent Icon

3D Thumb
Transparent Icon

3D Flat
Transparent Icon

3D Face
Transparent Icon

3D Spine
Transparent Icon

First Released

Calendar Icon 1988

Genre

Genre Icon Rock

Mood

Mood Icon Crazy

Style

Style Icon ---

Theme

Theme Icon ---

Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Warner Bros. Records

World Sales Figure

Sales Icon 0 copies

Album Description
Available in:
Even as Skyscraper shot up the charts behind the momentum of its ultra-saccharine lead-off single "Just Like Paradise," it was abundantly clear to anyone paying attention that the wheels were already falling off the David Lee Roth bandwagon. Simply put, the collaborative spirit that had given their manic debut Eat 'Em and Smile such legitimacy as a band project was collapsing under the unbearable strain of its leader's unstoppable ego. With bass wizard Billy Sheehan already gone to form Mr. Big and guitar hero Steve Vai mostly flying on auto-pilot (if spectacularly so), keyboard player Brett Tuggle seems like the most unwelcome presence on an album that squanders much of its free-wheeling potential by trying too hard to achieve an exaggerated pop sheen. The aforementioned "Just Like Paradise" is the obvious main offender, but promising examples of arena rock like "Stand Up" and "Perfect Timing" also lose much of their bite through excessive studio tampering. Likewise, the largely acoustic "Damn Good" and the overlong "Two Fools a Minute" (an unconvincing ode to Roth's lounge lizard persona) go nowhere fast, and what the band was trying to achieve with the bizarre title track is still anyone's guess. And while rockers like "Knucklebones" and "The Bottom Line" don't really impress or offend, "Hina" and "Hot Dog and a Shake" are the album's only two clear standouts. The first's soothing, interweaving guitar harmonies presaged Vai's Joe Satriani-inspired solo work while the latter finally explodes in the over-the-top fashion of the first album, largely thanks to a Vai solo so fast, so hot not even he could keep up, momentarily losing his fingering in the album's only spontaneous moment.
wiki icon


User Album Review
None...


External Album Reviews
None...



User Comments
seperator
No comments yet...
seperator

Status
Locked icon unlocked

Rank:

External Links
MusicBrainz Large icontransparent block Amazon Large icontransparent block Metacritic Large Icon