Album Title
Artist IconLMFAO
Artist Icon Sorry for Party Rocking
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First Released

Calendar Icon 2011


Genre Icon Pop


Mood Icon Party


Style Icon Rock/Pop


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Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Interscope Records

World Sales Figure

Sales Icon 1,000,000 copies

Album Description
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Sorry for Party Rocking is the second full-length studio album by LMFAO. It was released June 21, 2011 physically and digitally by Interscope Records. "Party Rock Anthem" was the first single released from the album and was an international hit. The second single was "Champagne Showers" and #8 in New Zealand, and #9 in Australia. It became an international hit in New Zealand, Australia, France, Ireland, and Austria. The third single, "Sexy and I Know It" was released on September 16, 2011. It has peaked at #1 on the US Billboard Hot 100 and also topped the charts in Australia, Canada, and New Zealand. "Sorry for Party Rocking" was released on January 9, 2012 as the fourth single from the album and has so far peaked #8 in Belgium, #16 in France, #18 in Ireland, #19 on the US Pop Songs, #23 in the UK, #27 in New Zealand, #31 in Canada, #32 in Australia, and #49 on the Billboard Hot 100. The Brazilian journal Folha de São Paulo claims that for many the album cover is a plagiarism from É o Tchan album called "É o Tchan no Brasil" (1997).
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User Album Review
You don’t need to be a playground nipper to know what the LMFAO acronym typically stands for. But in this instance it also means "Loving My Friends and Others" ”“ that’s what the video to the Los Angeles duo’s track Champagne Showers states (for pre-watershed audiences). The pair’s rise to prominence has been a while coming, given they’ve been active since 2006 (and this is their second album), but hardly a surprise when their connections are considered. Stefan Gordy, aka Redfoo, is the son of Motown founder Berry Gordy, while his partner Skyler Gordy, aka SkyBlu, is Berry’s grandson. The duo are uncle and nephew, then, but their musical output isn’t always wholesome fun for all the family.
Setting their stall out early with the impressively offensively titled debut single I’m in Miami B****, a Billboard hit in 2008 and a top 10 success in the UK the following year, LMFAO’s stylistic direction is one of blinkered consistency ”“ hard and fast beats, everything-louder-than-everything-else production, and dunderheaded lyrics. Vocal hooks are simple and, to their credit, highly memorable. But the subject matter tackled is repeatedly of questionable moral value (albeit never without a smile on their faces), the stance being that a party spent wasted is never a wasted party. Booze and babes dominate the pair’s agenda to such an extent that one has to admire their steadfast commitment to debauchery. It’d have been easier, surely, to diversify, as putting together 16 tracks of the same stuff must have been quite the mission ”“ and a mission accomplished.
In the record’s defence, Redfoo and SkyBlu are clearly not taking themselves at all seriously. It’s dumb for sure, but knowingly so, and its incessantly upbeat vibes do provide something of a lift. Their timing is perfect too, as this just wouldn’t work in the darkness of a British winter ”“ it needs sun, sea and quite possibly the other ‘s’ to properly connect. The overall impression left is of an act equally informed by crunk-juice-swigging rapper Lil Jon and Scottish dance-pop chart-topper Calvin Harris ”“ appropriately, both appear as guests here. Also involved is The Black Eyed Peas’, as executive producer. They’ve plenty of friends in high places then, but it’s LMFAO’s voices that cut through the cleanest, this collection very much their vision realised. Granted, it’s a vision obscured by designer shades, splattered with sticky drinks and steamed-up by passing ladies barely retaining their modesty, but it’s theirs alone.
Quite what granddad Berry makes of it all, though”¦

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