Album Title
Kelly Clarkson
Artist Icon All I Ever Wanted (2009)
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First Released

Calendar Icon 2009

Genre

Genre Icon Pop

Mood

Mood Icon Happy

Style

Style Icon Rock/Pop

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Release Format Icon Album

Record Label Release

Speed Icon Atlantic

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Album Description
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All I Ever Wanted is het vierde studioalbum van de Amerikaanse zangeres Kelly Clarkson. De release was op 10 maart 2009.Clarkson maakte in 2008 bekend dat zij aan een nieuw album werkte, samen met Ryan Tedder van OneRepublic. Tedder zei in de Digital Spy dat Clarksons nieuwe nummers "grote refreinen" en "zware drumprogrammering" zouden bevatten. Daarnaast vertelde hij ook dat de nummers beïnvloed zijn door de band Garbage, en dat het nummer Save you een experimentele brug bevat geïnspireerd door Mozart.

In een interview met PopEater zei Clarkson dat het nummer If I can't have you, mede geschreven door Tedder, "een kruising is tussen de Eurythmics en The Killers" – ze beschreef Cry als "een wals" die sterk is beïnvloed door de countrymuziek, en ze vond dit het meest persoonlijke nummer op het album. Het thema van het album is 'verraad'. Op het nummer Already gone werkte Tedder mee als achtergrondzanger.

I do not hook up en Long shot zijn demo's van Katy Perry – Whyyawannabringmedown en All I ever wanted werden geschreven en uitgebracht door de band Aranda. Save you is een demo van de niet meer bestaande groep Gone 'Til November uit Boston, aangevoerd door singer-songwriter Aimée Proal die het nummer samen met Tedder schreef. If no one will listen is een cover van Keri Nobles album Fearless uit 2004.
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User Album Review
It's difficult to sit on the fence when it comes to Multi-platinum pop rock Princess Kelly Clarkson. Her distinctive, raspy, angst-ridden vocal is akin to the Anastasias and Pinks of the pop world. With lungs of steel and a ballsy delivery, her style is rock-tinged pop. Her fourth album won't disappoint hardcore fans but is unlikely to garner new listeners.

Opening with catchy, punchy, full-throttle hit, My Life Would Suck Without You, the first ever American Idol winner sets the tone with her signature vocal acrobatics. The collaboration with infamous producers/songwriters, Dr. Luke (Britney Spears, Avril Lavigne) and Max Martin (Backstreet Boys, *NYSNC) was clearly a wise move.

Moving on to I Do Not Hook Up, Clarkson comes over all self-righteous as she chastises her lover for getting high. Still, it's good to know this role model hasn't taken a page out of Amy Winehouse's self-destructive book.

The Sam Watters-produced Cry gleams from the rest of the pack with its beautiful guitar riffs and gushing melodies. Clarkson is the cherry on the cake of this future hit. This more mature sound suits Kelly, as does the sophisticated album title track: a grown up move for the American star.

A giant mistake is made when Clarkson delves in to punk/thrash territory on Whyyawannabringmedown- purists will despair and KC fans will be perplexed. Equally as annoying, yet utterly different is I Want You - a mindless, cartoonish pop fantasy that does nothing for Clarkson's vocal range.

The cash cow that is Kelly Clarkson finishes with a bang, however, as The Day We Fell Apart cements exactly why this young Texan has sold so many records. This brilliant slice of pop is much like its performer: brimming with all the right ingredients needed to be a hit. What it all boils down to, however, is taste.


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