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Track List
01) Wire to Wire
02) Hostage of Love
03) You and the Rest
04) Tabloid Lover
05) North London Trash
06) 60 Thompson
07) Stinger
08) Burberry Blue Eyes
09) Blood for Wild Blood
10) Monster Boots
11) The House
01) Wire to Wire
02) Hostage of Love
03) You and the Rest
04) Tabloid Lover
05) North London Trash
06) 60 Thompson
07) Stinger
08) Burberry Blue Eyes
09) Blood for Wild Blood
10) Monster Boots
11) The House
3:05
3:44
3:25
2:57
3:28
2:37
4:17
3:33
3:10
4:34
3:55
Data Complete
70%
Total Rating
70%Total Rating
(2 users)
Back Cover
CD Art
3D Case
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3D Spine
First Released
2008
Indie
Gritty
Rock/Pop
---
Medium
Album
0 copies
Album Description
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Slipway Fires is Razorlight's most mainstream release to date, an album that downplays the band's garage-rock past for something akin to Snow Patrol's adult-approved pop. Theatrical harmonies and hooks demonstrate the band's growth -- they're no longer ripping off the Strokes, having left the swaggering sounds of Up All Night far behind -- but growth is the very problem with Slipway Fires, whose mature, polished tones might as well have been recorded by middle-aged AOR vets rather than Clash-loving twentysomethings. This is an album of earnest piano ballads and well-scrubbed rock, an album that sports song titles like "North London Trash" but sounds as dirty as early-'80s Fleetwood Mac. At times, the earnest posturing gives way to something like "Tabloid Lover," a fun, shamelessly trashy romp that takes its cues from the Bangles. Another highlight, "Burberry Blue Eyes," calls to mind the Feeling's bouncy power pop, but while such a song would sound appropriate on the Feeling's next release, it's hard to reconcile the fact that Razorlight -- a band that previously sang about bar-filled evenings and hung-over mornings -- have now traded in their street-smart denim for songs about luxury clothing chains. Enjoying Slipway Fires requires a suspension of disbelief, a conscious separation between the band's past and the (somewhat ludicrous) present. Of course, not looking at the outlandishly serious cover art -- in which frontman Johnny Borrell attacks the camera with a smoldering glare, an unbuttoned dress shirt, and a seemingly un-ironic pearl necklace -- may also help.
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Available in:
Slipway Fires is Razorlight's most mainstream release to date, an album that downplays the band's garage-rock past for something akin to Snow Patrol's adult-approved pop. Theatrical harmonies and hooks demonstrate the band's growth -- they're no longer ripping off the Strokes, having left the swaggering sounds of Up All Night far behind -- but growth is the very problem with Slipway Fires, whose mature, polished tones might as well have been recorded by middle-aged AOR vets rather than Clash-loving twentysomethings. This is an album of earnest piano ballads and well-scrubbed rock, an album that sports song titles like "North London Trash" but sounds as dirty as early-'80s Fleetwood Mac. At times, the earnest posturing gives way to something like "Tabloid Lover," a fun, shamelessly trashy romp that takes its cues from the Bangles. Another highlight, "Burberry Blue Eyes," calls to mind the Feeling's bouncy power pop, but while such a song would sound appropriate on the Feeling's next release, it's hard to reconcile the fact that Razorlight -- a band that previously sang about bar-filled evenings and hung-over mornings -- have now traded in their street-smart denim for songs about luxury clothing chains. Enjoying Slipway Fires requires a suspension of disbelief, a conscious separation between the band's past and the (somewhat ludicrous) present. Of course, not looking at the outlandishly serious cover art -- in which frontman Johnny Borrell attacks the camera with a smoldering glare, an unbuttoned dress shirt, and a seemingly un-ironic pearl necklace -- may also help.
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