Album Title
Artist IconRadiohead
Artist Icon Hail to the Thief
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First Released

Calendar Icon 2003


Genre Icon Alternative Rock


Mood Icon Sad


Style Icon Rock/Pop


Theme Icon ---


Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon XL Recordings

World Sales Figure

Sales Icon 0 copies

Album Description
Available in: Country Icon Country Icon Country Icon Country Icon
Hail to the Thief är det sjätte studioalbumet av den engelska alternativa rock-gruppen Radiohead, utgivet 9 juni 2003. Den debuterade som nummer ett i Storbritannien och som nummer tre i USA, där det under dess första vecka sålde i fler exemplar än några andra av Radioheads album till dags dato. Albumets singlar var "There There", "Go to Sleep" och "2+2=5".
Efter två album med starkt förvrängd sång, mindre gitarr och influenser från experimentell electronica och jazz, ansågs Hail to the Thief som en lätt återgång till bandets äldre alternative rock-influenser, dess sound framställt från varje period av dess existens.

Albumet spelades in relativt snabbt i Los Angeles, och beskrevs av bandmedlemmarna som ett försök att hitta ett mer "stiligt" sound och en avslappnad inspelningsprocess, till skillnad från sessionerna för Kid A och Amnesiac flera år tidigare. Med en längd på nästan en timme är Hail to the Thief gruppens längsta album, trots många av låtarna är mindre är inom treminuters- och även tvåminutersgränsen, vilket är kortare än bandets genomsnitt.

Albumets titel betyder hyllad vare tjuven och är en travestering av det amerikanska uttrycket "Hail to the chief", vilket ungefär betyder hyllad vare ledaren. Den negativa frasen användes av missbelåtna motståndare till USA:s president George W. Bush efter hans första och högst tvivelaktiga valseger. Många tror att Radiohead döpte albumet efter detta, men bandet själva tillbakavisar detta.
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Album Review
So here it is at last. The most anticipated album release of the year. Many of you probably became sick of all the incredible hype weeks ago. Those lucky few who've been listening to Hail To The Thief, by fair means or foul, have been ranting and raving for weeks. Annoying the rest of us who have to (or want to) wait until the official release date. They've been foaming at the mouth with excitement; "The Saviours of Rock 'n' Roll return with best album in the world ever!!" and such like. But is it justified?

To be honest, I loved OK Computer but was alienated by Kid A and didn't really get into Amnesiac for one reason or another. Hail To The Thief is without question more accessible than its two predecessors. But to say it's a step backwards or disappointing in any way is foolish.

Radiohead, the most popular innovative band on the planet, haven't broken any new ground here, as they did with Kid A. This album sees a return to simple song construction. Guitar, drums and keyboards form the backbone of these 14 indie pop songs.

"Go To Sleep" and "Where I End and You Begin" are fantastic. Driving guitars attack from all sides, demanding your attention, juddering with impressive force. Yorke's vocals are in fine form here; melancholic and hypnotic.
"A Punchup At A Wedding" is sublime. The song rolls effortlessly along taking the listener on a serene journey which also provides subtle amusement along the way: 'You had to piss on our parade, you had to shred our big a drunken punch up at a wedding'.

There are still the wonderfully eerie sounds ("The Gloaming") and the computerised electronic bleeps ("Sit Down, Stand Up"). These songs provide evidence that Radiohead are still capable of producing ambitious music which is remarkably enjoyable.

Current single "There There" is number four in the charts and the album is about to set up residence at number 1. How do Radiohead maintain their position as the world's most successful, non-mainstream band? Is it because Thom Yorke rarely smiles? And doesn't have a celebrity girlfriend? I suspect it's because they make some of the most amazing, anthemic, inspiring music around today.
All Hail Radiohead.
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