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Track List
01) Fatima Aisha Rokero 400
02) New New Orleans (King Adjuah Stomp)
03) Kuro Shinobi (interlude)
04) Who They Wish I Was
05) Pyrrhic Victory of Atunde Adjuah
06) Spy Boy / Flag Boy
07) vs. The Kleptocratic Union (Ms. McDowell's C
08) Kiel
09) Of Fire (Les Filles de La Nouvelle Orleans)
10) Dred Scott
11) Danziger
Cd 2
01) The Berlin Patient (CCR5)
02) Jihad Joe
03) Van Gogh (interlude)
04) Liar Liar
05) I Do
06) Alkebu Lan
07) Bartlett
08) When Marissa Stands Her Ground
09) Cumulonimbus (interlude)
10) Away (Anuradha & The Maiti Nepal)
11) The Red Rooster
12) Cara
01) Fatima Aisha Rokero 400
02) New New Orleans (King Adjuah Stomp)
03) Kuro Shinobi (interlude)
04) Who They Wish I Was
05) Pyrrhic Victory of Atunde Adjuah
06) Spy Boy / Flag Boy
07) vs. The Kleptocratic Union (Ms. McDowell's C
08) Kiel
09) Of Fire (Les Filles de La Nouvelle Orleans)
10) Dred Scott
11) Danziger
Cd 2
01) The Berlin Patient (CCR5)
02) Jihad Joe
03) Van Gogh (interlude)
04) Liar Liar
05) I Do
06) Alkebu Lan
07) Bartlett
08) When Marissa Stands Her Ground
09) Cumulonimbus (interlude)
10) Away (Anuradha & The Maiti Nepal)
11) The Red Rooster
12) Cara
5:41
5:01
2:25
5:42
5:17
4:45
6:00
6:14
4:15
4:29
10:38
3:50
5:56
1:35
5:41
4:03
5:33
7:01
6:24
2:26
7:03
3:37
5:30
Data Complete
50%
Total Rating
50%Total Rating
(0 users)
Back Cover
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First Released
2012
Jazz
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Jazz
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Medium
Album
0 copies
Album Description
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Christian aTunde Adjuah is a studio album by American jazz trumpeter Christian Scott released on 31 July 2012 by Concord Records.
Reception
John Fordham of The Guardian wrote "The double album Christian aTunde Adjuah broadens the themes further: to his family's African ancestry, contemporary inequality and racism, globalisation and war. It isn't a lecture, but a courageous and ambitious experiment. The proclamatory purity of Scott's trumpet sound could carry much of the set's message on its own, but guitarist Matthew Stevens' raw chords and churning vamps make effective contrasts with the leader's silvery double-time passages". Chris Ray of All About Jazz noted "Extra-musically, too, aTunde Adjuah is a manifesto for change. Scroll down the track listing: the titles reference issues such as the rape of 400 African women in the Sudanese town of Rokero by Janjaweed militiamen ("Fatima Aisha Rokero 400"), the killing of an innocent black teenager in Florida earlier this year ("Trayvon"), the demonization of the homeless in the US ("Vs. The Kleptocratic Union: Mrs McDowell's Crime"), the trafficking of women for the sex trade ("Away: Anuradha And The Maiti Nepal"), conflict in the Middle East ("Jihad Joe"), the legacy of slavery in the US ("Dred Scott"), police killings of innocent people in New Orleans in the wake of hurricane Katrina ("Danziger"), and HIV/AIDS ("The Berlin Patient: CCR5")... Scott's music is instrumental rather than vocal, so he addresses these issues not with words, but with attitude and vibe; track titles and liner notes are the only words you get. His message is no less coherent for that, and, while it may not have the narrative literalism of "conscious" rap music, it has the same relevance, accessibility and immediacy".
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Available in:
Christian aTunde Adjuah is a studio album by American jazz trumpeter Christian Scott released on 31 July 2012 by Concord Records.
Reception
John Fordham of The Guardian wrote "The double album Christian aTunde Adjuah broadens the themes further: to his family's African ancestry, contemporary inequality and racism, globalisation and war. It isn't a lecture, but a courageous and ambitious experiment. The proclamatory purity of Scott's trumpet sound could carry much of the set's message on its own, but guitarist Matthew Stevens' raw chords and churning vamps make effective contrasts with the leader's silvery double-time passages". Chris Ray of All About Jazz noted "Extra-musically, too, aTunde Adjuah is a manifesto for change. Scroll down the track listing: the titles reference issues such as the rape of 400 African women in the Sudanese town of Rokero by Janjaweed militiamen ("Fatima Aisha Rokero 400"), the killing of an innocent black teenager in Florida earlier this year ("Trayvon"), the demonization of the homeless in the US ("Vs. The Kleptocratic Union: Mrs McDowell's Crime"), the trafficking of women for the sex trade ("Away: Anuradha And The Maiti Nepal"), conflict in the Middle East ("Jihad Joe"), the legacy of slavery in the US ("Dred Scott"), police killings of innocent people in New Orleans in the wake of hurricane Katrina ("Danziger"), and HIV/AIDS ("The Berlin Patient: CCR5")... Scott's music is instrumental rather than vocal, so he addresses these issues not with words, but with attitude and vibe; track titles and liner notes are the only words you get. His message is no less coherent for that, and, while it may not have the narrative literalism of "conscious" rap music, it has the same relevance, accessibility and immediacy".
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