Album Title
Miles Davis Quintet
Artist Icon Miles (1956)
heart off icon (0 users)
Last IconTransparent icon Next icon

Transparent Block
Cover NOT yet available in 4k icon
Join Patreon for 4K upload/download access


Your Rating (Click a star below)

Star off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off icon









7:31
5:23
4:43
5:19
5:53
5:20

Data Complete
percentage bar 50%

Total Rating

Star Icon (0 users)

Back Cover
Transparent Block

CD Art
CDart Artwork

3D Case
Transparent Icon

3D Thumb
Transparent Icon

3D Flat
Transparent Icon

3D Face
Transparent Icon

3D Spine
Transparent Icon

First Released

Calendar Icon 1956

Genre

Genre Icon Jazz

Mood

Mood Icon ---

Style

Style Icon ---

Theme

Theme Icon ---

Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon

World Sales Figure

Sales Icon 0 copies

Album Description
Available in:
Miles: The New Miles Davis Quintet is an album by jazz musician Miles Davis released in 1956 on Prestige Records, catalogue 7014. It is the debut record by the Miles Davis Quintet, and generally known by the original title Miles as indicated on the cover.

Background
In the summer of 1955, Davis performed a noted set at the Newport Jazz Festival, and had been approached by Columbia Records executive George Avakian, offering a contract with the label if he could form a regular band. Davis assembled his first regular quintet to meet a commitment at the Café Bohemia in July, by September the line-up stabilizing to John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums.

Still under contract to Prestige, an arrangement dating back to January 1951, Davis convinced Avakian to buy out his contract with Prestige. The terms of the deal between Avakian and Weinstock allowed Davis to record for Columbia but not release any of the material until Davis fulfilled his remaining duty to Prestige. Davis took the quintet into the Columbia's studio first, on October 26, to record titles that would be issued on Round About Midnight. Three weeks later the quintet entered the studio of Rudy Van Gelder in Hackensack, New Jersey, yielding the six titles for this album. During the following year, Davis and his quintet would record enough material over two Van Gelder sessions to yield "Cookin'", "Relaxin'", "Workin'", and "Steamin'" and fulfill their contractual obligation to Prestige.

Content
The songs were a mix of pop and jazz standards, items familiar enough to present few problems to the fledgling band, given the Prestige policy of offering no compensation for rehearsal time. "The Theme" would continue to be Davis' standard set closer, and Coltrane does not play on "There Is No Greater Love."
wiki icon


User Album Review
None...


External Album Reviews
None...



User Comments
seperator
No comments yet...
seperator

Status
Locked icon unlocked

Rank:

External Links
MusicBrainz Large icontransparent block Amazon Large icontransparent block Metacritic Large Icon