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Track List
01) Gower Wassail
02) Jigs: Paddy Clancey's Jig / Willie Clancy's
03) Four Nights Drunk
04) When I Was on Horseback
05) Marrowbones
06) Captain Coulston
07) Reels: Dowd's Favourite / £10 Float / The M
08) Wee Weaver
09) Skewball
01) Gower Wassail
02) Jigs: Paddy Clancey's Jig / Willie Clancy's
03) Four Nights Drunk
04) When I Was on Horseback
05) Marrowbones
06) Captain Coulston
07) Reels: Dowd's Favourite / £10 Float / The M
08) Wee Weaver
09) Skewball
5:24
3:07
3:04
6:11
4:25
5:02
3:41
2:38
3:30
Data Complete
50%
Total Rating
50%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1971
Rock
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Folk
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Album
0 copies
Album Description
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"Ten Man Mop or Mr. Reservoir Butler Rides Again" is the third album by Steeleye Span, recorded in 1971. Issued on the short-lived Pegasus label, it was not initially issued in the US until Chrysalis acquired the first 3 albums in 1975 and reissued all three in the UK and US. Tracks like "Four Nights Drunk", "Marrowbones", and "Wee Weaver" are essentially pure folk. It was the last album to feature founding member Ashley Hutchings, who left the band in part because he felt that the album had moved too far toward Irish music and away from English music.
The album begins with an adaptation of the Christmas carol "Gower Wassail". "When I was on Horseback" is one of the few folk songs to have an alternative existence as a blues song, sometimes known as "Six White Horses". It is also an Irish variant of a tune that inspired "Streets of Laredo" and "St. James Infirmary". The last song, "Skewball" employs an effective counterpoint between a banjo and an electric guitar.
The album was notable for having a textured "gatefold" sleeve and inner pages on its original release. This was paid for by the band but cost more to print than the album generated in profits, meaning the band lost money on each album sold. None of the re-releases have included the original number of pages of liner notes.
The album's curious title and subtitle require some explanation. A 'mop' or 'mop-fair' is a late medieval term for a job fair, where labourers come looking for work. (The song "Copshawholme Fair", from the band's first album, Hark! The Village Wait is about such a fair.) The conceit was that the band was out of work and job-hunting. A 'ten man mop' would be a very poor show, since there would be few potential employees to choose from. The even more curious subtitle is a reference to Reservoir Butler, who had originally performed one of the songs covered on the album. The band was so struck by his unusual name that they decided it needed to be saved from obscurity.
The photograph on the sleeve was taken c. 1900 by John Benjamin Stone. Entitled "Sippers" and "Topers", it is of two villagers at the Bidford Mop, an annual fair held at Michaelmas in the village of Bidford-on-Avon, Warwickshire. The village has a centuries-old reputation for heavy drinking.
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Available in:
"Ten Man Mop or Mr. Reservoir Butler Rides Again" is the third album by Steeleye Span, recorded in 1971. Issued on the short-lived Pegasus label, it was not initially issued in the US until Chrysalis acquired the first 3 albums in 1975 and reissued all three in the UK and US. Tracks like "Four Nights Drunk", "Marrowbones", and "Wee Weaver" are essentially pure folk. It was the last album to feature founding member Ashley Hutchings, who left the band in part because he felt that the album had moved too far toward Irish music and away from English music.
The album begins with an adaptation of the Christmas carol "Gower Wassail". "When I was on Horseback" is one of the few folk songs to have an alternative existence as a blues song, sometimes known as "Six White Horses". It is also an Irish variant of a tune that inspired "Streets of Laredo" and "St. James Infirmary". The last song, "Skewball" employs an effective counterpoint between a banjo and an electric guitar.
The album was notable for having a textured "gatefold" sleeve and inner pages on its original release. This was paid for by the band but cost more to print than the album generated in profits, meaning the band lost money on each album sold. None of the re-releases have included the original number of pages of liner notes.
The album's curious title and subtitle require some explanation. A 'mop' or 'mop-fair' is a late medieval term for a job fair, where labourers come looking for work. (The song "Copshawholme Fair", from the band's first album, Hark! The Village Wait is about such a fair.) The conceit was that the band was out of work and job-hunting. A 'ten man mop' would be a very poor show, since there would be few potential employees to choose from. The even more curious subtitle is a reference to Reservoir Butler, who had originally performed one of the songs covered on the album. The band was so struck by his unusual name that they decided it needed to be saved from obscurity.
The photograph on the sleeve was taken c. 1900 by John Benjamin Stone. Entitled "Sippers" and "Topers", it is of two villagers at the Bidford Mop, an annual fair held at Michaelmas in the village of Bidford-on-Avon, Warwickshire. The village has a centuries-old reputation for heavy drinking.
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