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Track List
01) Turista del Amor
02) Geisha Vaquera
03) Corazón de Metal
04) Nada me Importa
05) Perdóname
06) Al final (Sonderé)
07) Lluvia de Estrellas
08) Ya se Murio
09) Sucedeme
10) Quedate Aqui
11) Dame Tu Cariño
01) Turista del Amor
02) Geisha Vaquera
03) Corazón de Metal
04) Nada me Importa
05) Perdóname
06) Al final (Sonderé)
07) Lluvia de Estrellas
08) Ya se Murio
09) Sucedeme
10) Quedate Aqui
11) Dame Tu Cariño
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Total Rating
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CD Art
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3D Spine
First Released
2011
Pop
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Rock/Pop
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Album
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Album Description
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Too many soundtracks feel interchangeable, and rare are the composers who really capture a movie's core. But Javier Navarrete has succeeded in his Oscar-nominated score for Guillermo del Toro's Pan's Labyrinth, a dark fantasy set in 1944 Spain. The first cue, "Long, Long Time Ago," sets the melancholy tone with piano and voice; the spectral piano pops up several more times, and the theme is more fully developed in "Mercedes Lullaby." But it's the second track, the aptly titled "The Labyrinth," that really gives the listener insight into the movie's tenebrous universe. While Navarrete can certainly do short, intimate pieces dotted with telling arrangements (like the few trumpet notes adding a subtle Spanish flavor to "Rose, Dragon"), he excels on the longer tracks, such as "Not Human," which goes through a succession of moods, each one increasingly scary, without ever going overboard into cheap, demonstrative effects. Navarrete has already had a long career as a film scorer in Spain, and this won't be the last American audiences hear from him.
1 Long, Long Time Ago 2:11
2 The Labyrinth 4:04
3 Rose, Dragon 3:34
4 The Fairy and the Labyrinth 3:33
5 Three Trials 2:04
6 The Moribund Tree and the Toad 7:08
7 Guerrilleros 2:05
8 A Book of Blood 3:47
9 Mercedes Lullaby 1:35
10 The Refuge 1:32
11 Hot Human 5:52
12 The River 2:48
13 A Tale 1:52
14 Deep Forest 5:45
15 Vals of the Mandrake 3:38
16 The Funeral 2:42
17 Mercedes 5:34
18 Pan and the Full Moon 5:04
19 Ofelia 2:16
20 A Princess 3:59
21 Pan's Labyrinth Lullaby 1:47
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User Comments
Available in:
Too many soundtracks feel interchangeable, and rare are the composers who really capture a movie's core. But Javier Navarrete has succeeded in his Oscar-nominated score for Guillermo del Toro's Pan's Labyrinth, a dark fantasy set in 1944 Spain. The first cue, "Long, Long Time Ago," sets the melancholy tone with piano and voice; the spectral piano pops up several more times, and the theme is more fully developed in "Mercedes Lullaby." But it's the second track, the aptly titled "The Labyrinth," that really gives the listener insight into the movie's tenebrous universe. While Navarrete can certainly do short, intimate pieces dotted with telling arrangements (like the few trumpet notes adding a subtle Spanish flavor to "Rose, Dragon"), he excels on the longer tracks, such as "Not Human," which goes through a succession of moods, each one increasingly scary, without ever going overboard into cheap, demonstrative effects. Navarrete has already had a long career as a film scorer in Spain, and this won't be the last American audiences hear from him.
1 Long, Long Time Ago 2:11
2 The Labyrinth 4:04
3 Rose, Dragon 3:34
4 The Fairy and the Labyrinth 3:33
5 Three Trials 2:04
6 The Moribund Tree and the Toad 7:08
7 Guerrilleros 2:05
8 A Book of Blood 3:47
9 Mercedes Lullaby 1:35
10 The Refuge 1:32
11 Hot Human 5:52
12 The River 2:48
13 A Tale 1:52
14 Deep Forest 5:45
15 Vals of the Mandrake 3:38
16 The Funeral 2:42
17 Mercedes 5:34
18 Pan and the Full Moon 5:04
19 Ofelia 2:16
20 A Princess 3:59
21 Pan's Labyrinth Lullaby 1:47
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