Album Title
Charlie Simpson
Artist Icon Young Pilgrim (2011)
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First Released

Calendar Icon 2011

Genre

Genre Icon Acoustic

Mood

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Style

Style Icon Folk

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Tempo

Speed Icon Slow

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Release Format Icon Album

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Album Description
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Young Pilgrim is the debut studio album by British singer-songwriter Charlie Simpson. The album was produced by Danton Supple (Doves, Coldplay) and was released on 15 August 2011 through independent label PIAS Recordings.

Following the extended hiatus announced by Fightstar in 2010, Simpson began writing solo material in conjunction with fan funding website Pledge Music. The platform was launched in 2009, as an innovative new way of involving fans in the record making process. Fans "pledge" to receive a copy of the completed project (an album or EP), while also having the chance to purchase exclusive extras such as private gigs, music video appearances, or even providing backing vocals during recording.

Simpson first issued new material on Christmas day 2010, releasing a "pledgers only" EP entitled When We Were Lions. The EP and subsequent singles, garnered praise from music critics, seeing "Down Down Down" selected as "Record of the Week" by BBC Radio 1 presenter Fearne Cotton. Simpson has described his solo work as "something completely different", while it has been noted the album contains elements of melancholy, similar to the works of The National, Bon Iver, and Jackson Browne.

Young Pilgrim's physical release was put under strain after all 30,000 copies of the album were destroyed in an arson fire at the warehouse and distribution center for PIAS Entertainment Group during the 2011 London Riots on 8 August 2011. However, it was confirmed the following day that despite the damages, the album would still be released as planned on 15 August. The release proved a success for Simpson and the independent label, entering the UK Albums Chart at number six.
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User Album Review
The ex-Busted man searches for further credibility in fine folkish style.

Fraser McAlpine 2011

Every former pop star carries a certain amount of embarrassment, bordering on guilt, about their past life. Some worry that their public persona is a reductive and silly mask that no longer fits; others act like it’s the morning after a particularly wild party and they’re not entirely sure why they did the things they did, or to whom they should apologise.

Charlie Simpson has worn his pop past with Busted like a hairshirt, ever since he walked out of the band in favour of his post-hardcore project Fightstar, the credible alternative to his teenybopper day job. It’s a shame that he feels like this as both bands have had their moments, and he’s clearly a gifted singer and songwriter.

And there's no need for him to further expunge his past by bringing out a singer-songwriter album of beefy, folkish indie confessionals, which could, in their own AOR way, prove to be a worse crime against music than Year 3000 or Floods ever were.

Young Pilgrim is a side project, the result of Charlie having a bit of time on his hands and a bunch of songs that won’t fit his current musical brief. So having temporarily turned his back on calling down the very heavens with Fightstar, he’s re-entered the world where melody is king, but still brings that sense of overwhelming gravitas with him.

There’s a lot of walking streets alone, blisters cracking over skin, melancholy trips to childhood haunts, and a lot of soul-searching: classic singer-songwriter fare. Thankfully, our hero has two important things on his side: a robust way with a tune and a swag-bag rammed with glorious multi-tracked harmonies. Cemetery, Suburbs and I Need a Friend Tonight are resplendent with his many voices. Even the incredibly Script-ish Hold On is partially redeemed by a few careful multi-Charlie moments.

The result, while it lacks anything which is truly astonishing, is a very grown-up sort of pop music – think Lonestar with a Snow Patrol frosting – and could possibly be the final public atonement for crimes that only he believes he committed in the first place.


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