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Track List
01) The First Daffodils
02) Dye the Water Green
03) Wulf
04) Mirroring All
05) À Tout à L'heure
06) Sycamore Silhouetting
07) You
08) Raincoat
09) Look at Orion!
10) Business Park
11) You Won't Remember...
12) But I Wanted You
01) The First Daffodils
02) Dye the Water Green
03) Wulf
04) Mirroring All
05) À Tout à L'heure
06) Sycamore Silhouetting
07) You
08) Raincoat
09) Look at Orion!
10) Business Park
11) You Won't Remember...
12) But I Wanted You
2:58
5:25
2:09
5:38
4:09
3:16
5:29
4:08
7:38
4:59
3:05
2:06
Data Complete
50%
Total Rating
50%Total Rating
(2 users)
Back Cover
CD Art
3D Case
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3D Spine
First Released
2013
Electronic
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Electronic
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Album
0 copies
Album Description
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Silver Wilkinson will be Stephen James Wilkinson's seventh full-length, arriving two years after his most recent album, Mind Bokeh. The sounds of the album were in part inspired by the outdoors—first single "À tout à l'heure" was recorded in Wilkinson's back garden and samples a plastic watering can and garden shears, while "Dye The Water Green" features the sound of rain falling on the tin roof of the producer's shed.
"If there was a preconceived idea before this album started coming together, it was a fairly vague one: to focus more on an organic and live sound and to record more guitar and other live instrumentation," Wilkinson explains. "However, I'm no purist, so I don't restrain myself from taking stylistic diversions, to do so might be to dispose of the unplanned. As a result this album feels to me as eclectic as my previous two albums."
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Available in:
Silver Wilkinson will be Stephen James Wilkinson's seventh full-length, arriving two years after his most recent album, Mind Bokeh. The sounds of the album were in part inspired by the outdoors—first single "À tout à l'heure" was recorded in Wilkinson's back garden and samples a plastic watering can and garden shears, while "Dye The Water Green" features the sound of rain falling on the tin roof of the producer's shed.
"If there was a preconceived idea before this album started coming together, it was a fairly vague one: to focus more on an organic and live sound and to record more guitar and other live instrumentation," Wilkinson explains. "However, I'm no purist, so I don't restrain myself from taking stylistic diversions, to do so might be to dispose of the unplanned. As a result this album feels to me as eclectic as my previous two albums."
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