Album Title
Stevie Wonder
Artist Icon Music of My Mind (1972)
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First Released

Calendar Icon 1972

Genre

Genre Icon R&B

Mood

Mood Icon In Love

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Album Description
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Music of My Mind is a landmark album by Stevie Wonder, released on March 3, 1972 when Wonder was only 21 years old (see 1972 in music). Many observers count this album as the beginning of Wonder's "classic period", though others look to the previous one or the following one. It is his fourteenth studio release. Music of My Mind showcases Wonder's earlier experiments with the synthesizer, and is a more assured recording than Where I'm Coming From (his first effort while holding the majority of artistic control). Also on display were his increasing musical ambitions, with him leveraging different genres of music and utilizing longer song forms. Stevie used synthesizers for many musical parts on this album. He also played drums as he frequently does on all of his albums.

Wonder played all of the instruments on this album except trombone by Art Baron and guitar by Howard "Buzz" Feiten.

The texture of the album was different from anything he had released on the Motown label to that point. Standout tracks include "Superwoman (Where Were You When I Needed You)", "Happier Than The Morning Sun" and "I Love Every Little Thing About You". This is one of the earliest works in black music to include the use of synthesizers[citation needed], and was the first of a set of collaborations between Stevie and his co-producers Robert Margouleff and Malcolm Cecil.

In 2003, the album was ranked number 284 on Rolling Stone magazine's list of the 500 greatest albums of all time. Its enduring influence was confirmed with its UK re-release on September 22, 2008 to coincide with Wonder's autumn 2008 European tour.

Motown remastered this album in 2000.
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User Album Review
Music of My Mind was Stevie Wonder’s first release after he gained complete artistic freedom from Motown Records’ "hit factory". Re-signing to the label after his contract lapsed on his 21st birthday, no committee would tell him which track to release as a single or what cover versions to include – this was now his domain alone.
Aside from trumpet, guitar and support from his wife at the time, Syreeta Wright, Wonder played every note on this, his 14th studio album. It also marks the first time he collaborated with synthesizer pioneers Robert Margouleff and Malcolm Cecil.
Music of My Mind is a work that brims with passion, excitement and exuberance. Opener Love Having You Around signposts the new territory: a leisurely, synth-driven jam, its propulsive beat, jive talk and the line “Every day I want to fly my kite” render it childlike celebration of the freedom Wonder was now enjoying.
The album was described at the time by Sounds as representing the “coming of age of black soul music”, and it’s as much the sound of African-America in the early 70s as Marvin Gaye or Curtis Mayfield. From Wonder’s visible afro on the cover to its reference to Melvin Van Peebles’ then-current landmark blaxploitation movie Sweet Sweetback's Baadasssss Song, it was the record that put to bed "Little" Stevie Wonder forever.
This being Wonder, however, all of his polemic is sweetened with breathtaking melodies. I Love Every Little Thing About You is one of his most beautiful songs. Happier Than the Morning Sun is great fun, and the second half of Superwoman (Where Were You When I Needed You) shows Wonder’s indestructible way with a love ballad.
The closing track, Evil, was written at the height of the Vietnam War as response to Memorial Day. It ends proceedings on a downbeat, questioning note, and is indicative of just how far Wonder had travelled since My Cherie Amour.
Somewhat left in the shadow cast by his following two albums, Talking Book and Innervisions, Music of My Mind nevertheless remains a fascinating, influential listen.


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