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Track List
01) Mama Don't Come
02) Good Hearted Man
03) Little Girl
04) Love for Me
05) Dakota
06) One by One
07) Alice
08) Pilgrims
09) The Devil's Mountains
10) All of My Trains
01) Mama Don't Come
02) Good Hearted Man
03) Little Girl
04) Love for Me
05) Dakota
06) One by One
07) Alice
08) Pilgrims
09) The Devil's Mountains
10) All of My Trains
4:18
3:42
4:58
4:09
3:15
7:09
3:30
2:44
3:15
7:25
Data Complete
50%
Total Rating
50%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2007
Folk
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Rock/Pop
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Album
0 copies
Album Description
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With cover art that mimics Bob Dylan's The Times They Are a-Changin' right down to the typeface, One by One demands (and, perhaps, deserves) to become a staple of the modern-day folk catalog. Nineteen-year-old Robert Francis is already impressively self-sufficient, playing nearly ever instrument -- from guitar to glockenspiel -- on this self-produced debut. It would be an understatement to say that Francis' musicianship belies his young age, as some of One's best songs already harbor the rustic, world-weary quality that many artists spend their careers cultivating. Whether or not Francis has actually experienced the pastoral blues that color his lyrics is beyond the point; his dusty baritone and heartland imagery make the potential fib worthwhile. From the right-handed piano twinkles of opener "Mama Don't Come" to the gorgeously hypnotic, looping closer, there's an airy sense of space to these ten songs. Even the album's most ornate material -- the seven-minute title track, perhaps, with its climax of co-ed vocals and sweeping violin -- is allotted enough room to breathe. When the orchestration becomes lush, Francis usually swoops in with a musical reprieve, be it a momentary break in a riff's rhythm or a touch of reverb to widen the sound. Even more interesting is his love for subtle, esoteric flourishes: a dog barking in the middle of "The Devil's Mountains," right before the bluesy pedal steel gives way to mariachi horns; delayed violin in verse two of "Little Girl"; the church-like harmonies in "Dakota." It's impressive proof that Francis' self-appointment as producer isn't the result of some youthful ego trip, but rather the most logical choice for a penny-pinched teenager -- or, for that matter, anyone whose music mirrors these rustic folk-pop strains. Dylan it ain't, but One by One is one solid debut.
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Available in:
With cover art that mimics Bob Dylan's The Times They Are a-Changin' right down to the typeface, One by One demands (and, perhaps, deserves) to become a staple of the modern-day folk catalog. Nineteen-year-old Robert Francis is already impressively self-sufficient, playing nearly ever instrument -- from guitar to glockenspiel -- on this self-produced debut. It would be an understatement to say that Francis' musicianship belies his young age, as some of One's best songs already harbor the rustic, world-weary quality that many artists spend their careers cultivating. Whether or not Francis has actually experienced the pastoral blues that color his lyrics is beyond the point; his dusty baritone and heartland imagery make the potential fib worthwhile. From the right-handed piano twinkles of opener "Mama Don't Come" to the gorgeously hypnotic, looping closer, there's an airy sense of space to these ten songs. Even the album's most ornate material -- the seven-minute title track, perhaps, with its climax of co-ed vocals and sweeping violin -- is allotted enough room to breathe. When the orchestration becomes lush, Francis usually swoops in with a musical reprieve, be it a momentary break in a riff's rhythm or a touch of reverb to widen the sound. Even more interesting is his love for subtle, esoteric flourishes: a dog barking in the middle of "The Devil's Mountains," right before the bluesy pedal steel gives way to mariachi horns; delayed violin in verse two of "Little Girl"; the church-like harmonies in "Dakota." It's impressive proof that Francis' self-appointment as producer isn't the result of some youthful ego trip, but rather the most logical choice for a penny-pinched teenager -- or, for that matter, anyone whose music mirrors these rustic folk-pop strains. Dylan it ain't, but One by One is one solid debut.
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