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Track List
01) Believe
02) Love and Hope
03) Street Signs
04) (Who Discovered) America
05) Who's To Blame
06) Te Estoy Buscando
07) Saturday Night
08) Dejame en Paz
09) Santiago
10) Ya Viene El Sol (The Beatle Bob remix)
11) Doña Isabelle
12) Nadie Te Tira
13) Cuando Canto
14) Como Me Duele
15) Believe (live)
01) Believe
02) Love and Hope
03) Street Signs
04) (Who Discovered) America
05) Who's To Blame
06) Te Estoy Buscando
07) Saturday Night
08) Dejame en Paz
09) Santiago
10) Ya Viene El Sol (The Beatle Bob remix)
11) Doña Isabelle
12) Nadie Te Tira
13) Cuando Canto
14) Como Me Duele
15) Believe (live)
5:02
4:24
3:46
4:35
3:13
3:50
3:59
3:30
5:09
3:39
1:04
4:48
4:41
3:41
5:48
Data Complete
70%
Total Rating
70%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2004
Funk
Cheerful
Jazz
---
Medium
Album
0 copies
Album Description
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Los Angeles-based Ozomatli are a new kind of American band, a band reflecting the multiracial and multicultural One World demographics of the 21st century. Drawing on musical sources as diverse as salsa, hip-hop, rock, jazz, funk, Tejano, and reggae, Ozomatli appear to be trying to be all things to all people, but amazingly, they pull it off more times than they don't, and even when their increasingly inclusive experiments fall short, they still manage to offer up new creative possibilities. With the release of Street Signs you can add Middle Eastern music to the mix, and once again, the sheer number of ingredients they manage to pack into their sound is impressive, beginning with "Believe," the album opener, which should be all over pop radio with its full, deep, and anthemic sound (that it isn't all over the radio says a lot more about the current state of radio than it does Ozomatli). "Te Estou Buscando" and "Saturday Night" are also impressive, but the real highlight here is the appearance of legendary jazz and salsa pianist Eddie Palmieri on two tracks, the brief and lovely "Dona Isabelle" and "Nadie Te Tira," a blast of horn-drenched salsa that underscores an obvious point about Ozomatli: aside from their considerable cultural, political, and musical import, this is one hell of a dance band.
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Available in:
Los Angeles-based Ozomatli are a new kind of American band, a band reflecting the multiracial and multicultural One World demographics of the 21st century. Drawing on musical sources as diverse as salsa, hip-hop, rock, jazz, funk, Tejano, and reggae, Ozomatli appear to be trying to be all things to all people, but amazingly, they pull it off more times than they don't, and even when their increasingly inclusive experiments fall short, they still manage to offer up new creative possibilities. With the release of Street Signs you can add Middle Eastern music to the mix, and once again, the sheer number of ingredients they manage to pack into their sound is impressive, beginning with "Believe," the album opener, which should be all over pop radio with its full, deep, and anthemic sound (that it isn't all over the radio says a lot more about the current state of radio than it does Ozomatli). "Te Estou Buscando" and "Saturday Night" are also impressive, but the real highlight here is the appearance of legendary jazz and salsa pianist Eddie Palmieri on two tracks, the brief and lovely "Dona Isabelle" and "Nadie Te Tira," a blast of horn-drenched salsa that underscores an obvious point about Ozomatli: aside from their considerable cultural, political, and musical import, this is one hell of a dance band.
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