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Track List
01) Still Believing
02) Bright Blue Rose
03) Golden Mile
04) Babes in the Wood
05) The Thorn Upon the Rose
06) Brand New Star
07) Prayer for Love
08) Adam at the Window
09) The Dimming of the Day
10) Might as Well Be a Slave
11) Just Around the Corner
12) The Urge for Going
01) Still Believing
02) Bright Blue Rose
03) Golden Mile
04) Babes in the Wood
05) The Thorn Upon the Rose
06) Brand New Star
07) Prayer for Love
08) Adam at the Window
09) The Dimming of the Day
10) Might as Well Be a Slave
11) Just Around the Corner
12) The Urge for Going
3:43
4:03
4:16
4:14
4:46
2:34
4:34
4:18
3:42
3:06
4:04
5:23
Data Complete
30%
Total Rating
30%Total Rating
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3D Spine
First Released
1991
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Album
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Album Description
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Babes in the Wood is Mary Black's finest, most consistently pleasing album. There is no filler here, and her song selection, culled from new songwriters such as Noel Brazil and classic folkies such as Richard Thompson, is impeccable. The acoustic arrangements (including guitar, piano, mandolin, Dobro, and accordion) are carried out by her longtime backing musicians, although the music has a decidedly more pop than Celtic flavor on this album. As with most of her releases, there are many romantic ballads sung with a subtly that adds emotional weight to every song. The main difference on this album is an omnipresent religious tone, whether it's overt in the gospel opener "Still Believing" or just below the surface in songs such as "The Golden Mile." Even a few of the love songs refer to having faith that love will come around again after heartbreak ("Just Around the Corner"). However, the album is peppered with playful, upbeat tunes that propel the album forward to the final song, a wonderful cover of Joni Mitchell's "Urge for Going." A great introduction to the music of Mary Black, and a must-own for fans.
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Babes in the Wood is Mary Black's finest, most consistently pleasing album. There is no filler here, and her song selection, culled from new songwriters such as Noel Brazil and classic folkies such as Richard Thompson, is impeccable. The acoustic arrangements (including guitar, piano, mandolin, Dobro, and accordion) are carried out by her longtime backing musicians, although the music has a decidedly more pop than Celtic flavor on this album. As with most of her releases, there are many romantic ballads sung with a subtly that adds emotional weight to every song. The main difference on this album is an omnipresent religious tone, whether it's overt in the gospel opener "Still Believing" or just below the surface in songs such as "The Golden Mile." Even a few of the love songs refer to having faith that love will come around again after heartbreak ("Just Around the Corner"). However, the album is peppered with playful, upbeat tunes that propel the album forward to the final song, a wonderful cover of Joni Mitchell's "Urge for Going." A great introduction to the music of Mary Black, and a must-own for fans.
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