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Track List
01) Hungry Freaks, Daddy
02) I Ain't Got No Heart
03) Who Are the Brain Police?
04) Go Cry on Somebody Else's Shoulder
05) Motherly Love
06) How Could I Be Such a Fool
07) Wowie Zowie
08) You Didn't Try to Call Me
09) Any Way the Wind Blows
10) I'm Not Satisfied
11) You're Probably Wondering Why I'm Here
12) Trouble Every Day
13) Help, I'm a Rock
14) It Can't Happen Here
15) The Return of the Son of Monster Magnet
01) Hungry Freaks, Daddy
02) I Ain't Got No Heart
03) Who Are the Brain Police?
04) Go Cry on Somebody Else's Shoulder
05) Motherly Love
06) How Could I Be Such a Fool
07) Wowie Zowie
08) You Didn't Try to Call Me
09) Any Way the Wind Blows
10) I'm Not Satisfied
11) You're Probably Wondering Why I'm Here
12) Trouble Every Day
13) Help, I'm a Rock
14) It Can't Happen Here
15) The Return of the Son of Monster Magnet
3:30
2:35
3:33
3:41
2:45
2:13
2:53
3:18
2:55
2:38
3:38
5:50
4:43
3:56
12:19
Data Complete
70%
Total Rating
70%Total Rating
(3 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1966
Experimental
Quirky
Rock/Pop
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Album
0 copies
Album Description
Available in:
Freak Out! is the debut album by American band The Mothers of Invention, released June 27, 1966 on Verve Records. Often cited as one of rock music's first concept albums, the album is a satirical expression of frontman Frank Zappa's perception of American pop culture. It was also one of the earliest double albums in rock music (although Bob Dylan's Blonde on Blonde preceded it by a week), and the first 2-record debut. In the UK the album was originally released as a single disc.
The album was produced by Tom Wilson, who signed The Mothers, formerly a bar band called the Soul Giants. Zappa said many years later that Wilson signed the group to a record deal in the belief that they were a white blues band. The album features vocalist Ray Collins, along with bass player Roy Estrada, drummer Jimmy Carl Black and guitar player Elliot Ingber, who would later join Captain Beefheart's Magic Band under the name Winged Eel Fingerling.
The band's original repertoire consisted of rhythm and blues covers; though after Zappa joined the band he encouraged them to play his own original material, and the name was changed to The Mothers. The musical content of Freak Out! ranges from rhythm and blues, doo-wop and standard blues-influenced rock to orchestral arrangements and avant-garde sound collages. Although the album was initially poorly received in the United States, it was a success in Europe. It gained a cult following in America, where it continued to sell in substantial quantities until it was prematurely discontinued in the early 1970s.
In 1999, it was honored with the Grammy Hall of Fame Award, and in 2003, Rolling Stone ranked it among the 500 Greatest Albums of All Time. In 2006, The MOFO Project/Object, an audio documentary on the making of the album, was released in honor of its 40th anniversary.
In the early 1960s, Zappa met Ray Collins. Collins supported himself by working as a carpenter, and on weekends sang with a group called the Soul Giants. Collins got into a fight with their guitar player, who quit, leaving the band in need of a substitute, and Zappa filled in. The Soul Giants' repertoire originally consisted of R&B covers; though after Zappa joined the band he encouraged them to play his own original material and try to get a record contract. While most of the bandmembers liked the idea, then-leader and saxophone player Davy Coronado felt that performing original material would cost them bookings, and quit the band. The Soul Giants became The Mothers, and Zappa took over leadership of the band.
The group moved to Los Angeles in early 1965 after Zappa got them a management contract with Herb Cohen. They gained steady work at clubs along the Sunset Strip. MGM staff producer Tom Wilson offered the band a record deal on the Verve Records division in early 1966. He had heard of their growing reputation but had seen them perform only one song, "Trouble Every Day", which concerned the Watts riots. According to Zappa, this led Wilson to believe that they were a "white blues band." The group signed their contract on March 1, 1966 and quickly began work on their first album. This would have made them a part of the "white blues band" trend, initiated in 1965 with the debut of The Paul Butterfield Blues Band from Chicago and the 1966 debut of the Blues Project from New York City.
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Freak Out! is the debut album by American band The Mothers of Invention, released June 27, 1966 on Verve Records. Often cited as one of rock music's first concept albums, the album is a satirical expression of frontman Frank Zappa's perception of American pop culture. It was also one of the earliest double albums in rock music (although Bob Dylan's Blonde on Blonde preceded it by a week), and the first 2-record debut. In the UK the album was originally released as a single disc.
The album was produced by Tom Wilson, who signed The Mothers, formerly a bar band called the Soul Giants. Zappa said many years later that Wilson signed the group to a record deal in the belief that they were a white blues band. The album features vocalist Ray Collins, along with bass player Roy Estrada, drummer Jimmy Carl Black and guitar player Elliot Ingber, who would later join Captain Beefheart's Magic Band under the name Winged Eel Fingerling.
The band's original repertoire consisted of rhythm and blues covers; though after Zappa joined the band he encouraged them to play his own original material, and the name was changed to The Mothers. The musical content of Freak Out! ranges from rhythm and blues, doo-wop and standard blues-influenced rock to orchestral arrangements and avant-garde sound collages. Although the album was initially poorly received in the United States, it was a success in Europe. It gained a cult following in America, where it continued to sell in substantial quantities until it was prematurely discontinued in the early 1970s.
In 1999, it was honored with the Grammy Hall of Fame Award, and in 2003, Rolling Stone ranked it among the 500 Greatest Albums of All Time. In 2006, The MOFO Project/Object, an audio documentary on the making of the album, was released in honor of its 40th anniversary.
In the early 1960s, Zappa met Ray Collins. Collins supported himself by working as a carpenter, and on weekends sang with a group called the Soul Giants. Collins got into a fight with their guitar player, who quit, leaving the band in need of a substitute, and Zappa filled in. The Soul Giants' repertoire originally consisted of R&B covers; though after Zappa joined the band he encouraged them to play his own original material and try to get a record contract. While most of the bandmembers liked the idea, then-leader and saxophone player Davy Coronado felt that performing original material would cost them bookings, and quit the band. The Soul Giants became The Mothers, and Zappa took over leadership of the band.
The group moved to Los Angeles in early 1965 after Zappa got them a management contract with Herb Cohen. They gained steady work at clubs along the Sunset Strip. MGM staff producer Tom Wilson offered the band a record deal on the Verve Records division in early 1966. He had heard of their growing reputation but had seen them perform only one song, "Trouble Every Day", which concerned the Watts riots. According to Zappa, this led Wilson to believe that they were a "white blues band." The group signed their contract on March 1, 1966 and quickly began work on their first album. This would have made them a part of the "white blues band" trend, initiated in 1965 with the debut of The Paul Butterfield Blues Band from Chicago and the 1966 debut of the Blues Project from New York City.
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