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Track List
01) My Red Hot Car
02) Boneville Occident
03) Go! Spastic
04) Metteng Excuske v1.2
05) The Exploding Psychology
06) I Wish You Could Talk
07) Greenways Trajectory
08) Tommib
09) My Fucking Sound
10) Plaistow Flex Out
01) My Red Hot Car
02) Boneville Occident
03) Go! Spastic
04) Metteng Excuske v1.2
05) The Exploding Psychology
06) I Wish You Could Talk
07) Greenways Trajectory
08) Tommib
09) My Fucking Sound
10) Plaistow Flex Out
4:42
4:50
6:21
1:08
6:43
4:53
7:10
1:19
7:05
4:28
Data Complete
80%
Total Rating
80%Total Rating
(2 users)
Back Cover
CD Art
3D Case
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3D Flat
3D Face
3D Spine
First Released
2001
Electronic
Energetic
Electronic
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Album
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Album Description
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Go Plastic is an electronic music album by Squarepusher. The album was preceded by the single "My Red Hot Car".
The album shows a marked increase in musical complexity over its predecessor, Selection Sixteen, featuring a more open-ended, less structured approach to composition which was explored further on Do You Know Squarepusher, and culminated with Ultravisitor.
The track "Tommib" was featured in the films Lost in Translation and Unleashed.
Unlike many of his earlier albums such as Hard Normal Daddy and Music Is Rotted One Note, which often prominently featured live instrumentation (particularly drums and bass guitar), the sound palette on Go Plastic is almost exclusively synthetic, with an emphasis on high-velocity breakbeats subjected to extensive manipulation and granular effects. In a contemporaneous interview, Squarepusher claimed to be 'fed up' with real instruments, wanting everything 'brutal and digital.'
Despite this, Squarepusher claims that the album was not produced using a computer but rather by utilizing a range of hardware including the Eventide DSP4000 and Orville digital effects processors, BOSS DR-660 and Yamaha QY700 sequencers, Yamaha TX81Z and FS1R synthesizers, and an Akai S6000 sampler.
User Album Review
The king of experimental drum and bass cut-ups is back with more recycled timestretched madness. Taking a darker and more complex approach to song writing this time, he's managed to push beat manipulation to it's furthest coherent limits all without sacrificing the overall integrity of a 'song'.
For all it's 250+bpm madness, there remains some lovely melodic touches - especially on tracks like "I Wish You Could Talk" and "My Red Hot Car". However, for all the dextrous and filtered wonder on this album, there is a rather disturbing trend with Mr. Jenkinson's work as of late. As you begin comparing his releases, you notice it's often the same loops used over and over again - the differences between them only in how they are arranged. "Bonneville Occident", for example, could easily be a remix of "Come On My Selector". For a man this talented, innovation should be a walk in the park. In any case, Mr. Jenkinson is still way ahead of the rest of us ... but for how much longer?.
External Album Reviews
None...
User Comments
Available in:
Go Plastic is an electronic music album by Squarepusher. The album was preceded by the single "My Red Hot Car".
The album shows a marked increase in musical complexity over its predecessor, Selection Sixteen, featuring a more open-ended, less structured approach to composition which was explored further on Do You Know Squarepusher, and culminated with Ultravisitor.
The track "Tommib" was featured in the films Lost in Translation and Unleashed.
Unlike many of his earlier albums such as Hard Normal Daddy and Music Is Rotted One Note, which often prominently featured live instrumentation (particularly drums and bass guitar), the sound palette on Go Plastic is almost exclusively synthetic, with an emphasis on high-velocity breakbeats subjected to extensive manipulation and granular effects. In a contemporaneous interview, Squarepusher claimed to be 'fed up' with real instruments, wanting everything 'brutal and digital.'
Despite this, Squarepusher claims that the album was not produced using a computer but rather by utilizing a range of hardware including the Eventide DSP4000 and Orville digital effects processors, BOSS DR-660 and Yamaha QY700 sequencers, Yamaha TX81Z and FS1R synthesizers, and an Akai S6000 sampler.
User Album Review
The king of experimental drum and bass cut-ups is back with more recycled timestretched madness. Taking a darker and more complex approach to song writing this time, he's managed to push beat manipulation to it's furthest coherent limits all without sacrificing the overall integrity of a 'song'.
For all it's 250+bpm madness, there remains some lovely melodic touches - especially on tracks like "I Wish You Could Talk" and "My Red Hot Car". However, for all the dextrous and filtered wonder on this album, there is a rather disturbing trend with Mr. Jenkinson's work as of late. As you begin comparing his releases, you notice it's often the same loops used over and over again - the differences between them only in how they are arranged. "Bonneville Occident", for example, could easily be a remix of "Come On My Selector". For a man this talented, innovation should be a walk in the park. In any case, Mr. Jenkinson is still way ahead of the rest of us ... but for how much longer?.
External Album Reviews
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