Album Title
Lily Allen
Artist Icon Alright, Still (2006)
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First Released

Calendar Icon 2006

Genre

Genre Icon Pop

Mood

Mood Icon Happy

Style

Style Icon Rock/Pop

Theme

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Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Parlophone

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Sales Icon 0 copies

Album Description
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Alright, Still est le premier album de l'auteur-compositeur-interprète pop britannique Lily Allen, sorti le 14 juillet 2006 chez Regal Recordings. L'enregistrement de l'album a commencé par des sessions entre Allen et le duo de production Future Cut, et le travail d'Allen a fait l'objet d'une publicité sur Internet, car elle a posté des démos sur son compte MySpace avant qu'elles ne soient officiellement publiées. Les chansons sont fortement influencées par la musique ska jamaïcaine, et leurs paroles sont conversationnelles et farfelues.
La plupart des chansons de l'album contiennent de nombreuses injures et ont donc été accompagnées d'un avertissement parental, bien que la chanson "Friday Night" reste censurée sur toutes les versions de l'album.
L'album a reçu un accueil généralement positif de la part des critiques musicaux. Il a connu un succès commercial au Royaume-Uni, où il a été certifié trois fois disque de platine. Alright, Still s'est vendu à plus de 5 millions d'exemplaires dans le monde. L'album a été nommé dans la catégorie "Meilleur album de musique alternative" lors de la 50e édition des Grammy Awards.
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User Album Review
Lily Allen: her of heart-shaped earrings, fluorescent eye liner and summer anthem "Smile", has created a neat, cohesive debut, describing urban life from the clever girl's perspective. The cockney accent and little melodies will invite comparison to chavvy soul-brother Mike Skinner, but these are songs in a completely different league: laugh out loud funny, clever, and satisfyingly vengeful.
We're talking about bad credit ratings, unattractive coke abuse, unwanted chat ups, useless lovers and colourful nightclub politics, like "Friday Night", set to a backing reminiscent of the Specials' "Ghost Town". This girl's far too smart for the crappy nights out, rubbish mates and loser exes she wryly describes.
Many of her reggae-fused songs stick in your head whilst you desperately suss out why they're familiar, but she rips off her influences with a comic acknowledgement, like "Shame For You", which blatantly lifts the chorus hook from "You Don't Love Me (No No No)" by Dawn Penn. I'm just sad that her song about her nanna being covered in cat hair didn't make it. Maybe on the follow up ...


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