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The Interbeing -
Face Deletion
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The Interbeing -
Rhesus Artificial
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Fields of Grey
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Pulse Within the Paradox
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The Interbeing -
In the Transcendence
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Emerged in 2006 the Danish modern Industrial Metal band has received several national and international award nominations before releasing their debut album Edge of the Obscure in May 2011 via Mighty Music/Target Group. Acclaimed “Album of the Year” by the largest music magazine in Denmark, GAFFA, the album got top marks and massive exposure in some of the biggest metal magazines worldwide.
“We have deemed them to be of immense international import.”
These were the pounding words from the previous editor of Metal Hammer UK Alexander Milas who also invited the band to perform at Metal Hammer’s showcase on the largest industry festival in the world – SXSW in Austin, Texas, USA.
In the wake of the release THE INTERBEING played shows all over Europe ranging from Euroblast in Cologne, UK Tech Fest and Copenhell in Copenhagen, and had the honor to be the main support for massive international names such as Stone Sour (US), Meshuggah (SE) and Parkway Drive (AU).
The interest for THE INTERBEING expanded to the other side of the world and in 2012 the album was re-released in Japan with strong sales and profit. Two tracks from the album were later used as a soundtrack in a Japanese game. Recently in November 2016 the band played a resounding sold out show at the industry festival Hokuo Music Week in Tokyo.
The challenging second album has been underway for some time. Numerously all the songs have been under review due to the band’s ultimate determination to perfect each track and the album as a whole.
The result appears in the form of the visionary dystopian concept album “Among the Amorphous”. An album that lifts the bar in regards of storytelling and songwriting in the world of Technical Metal. The songs have a sinister David Lynch feel to it while the massive sections of polyrhythmic Meshuggah-inspired sonances envelop the listener. In conclusion the soundscape peaks with great evoking choruses that would even get Devin Townsend’s stamp of approval.
THE INTERBEING plunges into a futuristic music journey in which Dara Corcoran’s constant shifting between growls, whispering, chanting and grand melodies makes this album one of the most ambitious albums in Danish Metal in many years.
“Among the Amorphous” is mixed by the newly talented producer Jonas Haagensen and mastered by Jacob Hansen at Hansen Studios (Volbeat, Dizzy Mizz Lizzy, Pretty Maids).
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