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Album Releases 
50 First Dates (2004)
538 - Hitzone 87 (2018) 538 - Hitzone 89 (2019) 538 - Hitzone 90 (2019) 
538 Dance Smash 2015, Volume 1 (2015) 538 Hitzone 56 (2011) 538 Hitzone 57 (2011) 538 Hitzone 66 (2013) 538 Hitzone 67 (2013) 538 Hitzone 81 (2017) 538 Hitzone 82 (2017) 538 Hitzone 83 (2017) 538 Hitzone 84 (2018) 538 Hitzone Christmas 2013 (2013) 538 Hitzone: Best of 2010 (2010) 538 Hitzone: Best of 2011 (2011) 538 Hitzone: Best of 2013 (2013) 538 Hitzone: Best of 2015 (2015) 538 Hitzone: Best of 2016 (2016) 538 Hitzone: Best of 2019 (2019) 538: Hitzone 85 (2018) 538: Hitzone 86 (2018) 538: Hitzone 88 (2019) 538: Hitzone 91 (2019) 538: Hitzone: Best of 2018 (2018)
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90%Members
1 MixedOrigin
Various
Genre
---
Style
---
Mood
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Active
---Present...Alternate Name
Diverse Artiesten
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A compilation album comprises tracks which are compiled from other recordings, usually previously released, but sometimes unreleased. The tracks may be from one or several performers; if from several performers there may be a theme, topic or genre which links the tracks. When the tracks are by the same recording artist, the album may be referred to as a retrospective album. Compilation albums may employ traditional product bundling strategies. For multi-artist compilations, royalties are usually pro-rated. In most cases, each artist's per-record royalty rate (typically 12–14% in 1999) is divided by the number of artists on the album. However, some record companies opt to simplify the equation and pay a rounded-off rate, either as a percentage or as a set amount, regardless of the total number of artists on the record. As of 1999, these rates were around 1/2% to 1% or 15–16 cents per record. When a compilation album includes a track from a different record company, the royalties are split between the artist and the original record company.
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UnlockedLast Edit by BINairLADEN: 22/Nov/19
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