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Track List
01) A Perfect Miracle
02) I'm Your Man
03) Here It Comes (The Road) Let's Go
04) Let's Dance
05) On the Sunshine
06) Damaged
07) The Morning After
08) The Prize
09) Sail on Through
01) A Perfect Miracle
02) I'm Your Man
03) Here It Comes (The Road) Let's Go
04) Let's Dance
05) On the Sunshine
06) Damaged
07) The Morning After
08) The Prize
09) Sail on Through
4:46
4:28
4:41
5:11
5:00
4:57
7:42
5:24
5:58
Data Complete
60%
Total Rating
60%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2018
Alternative Rock
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Rock/Pop
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Medium
Album
0 copies
Album Description
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And Nothing Hurt is the eighth studio album by Spiritualized. The album is released on 7 September 2018 through Fat Possum Records, and is the band's first album in six years since 2012's Sweet Heart Sweet Light.
“When I came to terms with how I was going to make the record, I assumed it was going to sound like Lee Perry — all flying in from different angles; all extraordinary and not hi-tech in construction. But I was new to it all, I didn’t have all the short cuts people use when they’re making records — I just sat there for weeks… for months… moving every level up bit by bit just to try to get the sounds right,” Pierce said.
“With a bit of trial and lot of error, I found ways of doing something that’s quite simple, if you’ve got the resources. I spent two weeks listening to classical records and strumming the chord that I wanted on my guitar. When I found something to match what I wanted, I’d sample that bit and go for the next chord and try to match that. It took weeks, trying to put together and layer convincing string sounds. But, if I’m honest, all I wanted was for someone to come and play the part and bring their own thing to the record.”
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And Nothing Hurt is the eighth studio album by Spiritualized. The album is released on 7 September 2018 through Fat Possum Records, and is the band's first album in six years since 2012's Sweet Heart Sweet Light.
“When I came to terms with how I was going to make the record, I assumed it was going to sound like Lee Perry — all flying in from different angles; all extraordinary and not hi-tech in construction. But I was new to it all, I didn’t have all the short cuts people use when they’re making records — I just sat there for weeks… for months… moving every level up bit by bit just to try to get the sounds right,” Pierce said.
“With a bit of trial and lot of error, I found ways of doing something that’s quite simple, if you’ve got the resources. I spent two weeks listening to classical records and strumming the chord that I wanted on my guitar. When I found something to match what I wanted, I’d sample that bit and go for the next chord and try to match that. It took weeks, trying to put together and layer convincing string sounds. But, if I’m honest, all I wanted was for someone to come and play the part and bring their own thing to the record.”
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