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Track List
01) The Bird
02) Heart Don't Stand a Chance
03) The Waters
04) The Season / Carry Me
05) Put Me Thru
06) Am I Wrong
07) Without You
08) Parking Lot
09) Lite Weight
10) Room in Here
11) Water Fall
12) Your Prime
13) Come Down
14) Silicon Valley
15) Celebrate
16) The Dreamer
01) The Bird
02) Heart Don't Stand a Chance
03) The Waters
04) The Season / Carry Me
05) Put Me Thru
06) Am I Wrong
07) Without You
08) Parking Lot
09) Lite Weight
10) Room in Here
11) Water Fall
12) Your Prime
13) Come Down
14) Silicon Valley
15) Celebrate
16) The Dreamer
3:37
5:12
2:54
5:28
2:40
4:13
3:19
3:54
3:26
3:59
1:58
3:57
2:56
4:04
3:46
5:39
Data Complete
50%
Total Rating
50%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2016
Hip-Hop
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Medium
Album
0 copies
Album Description
Available in:
Malibu is the second studio album by American singer Anderson Paak. It was released on January 15, 2016, by ArtClub International, Empire Distribution, OBE and Steel Wool Records following the release of his EP, Link Up & Suede, with Knxwledge (credited as the duo, NxWorries).
Malibu was supported by four singles: "The Season / Carry Me", "Am I Wrong", "Room in Here" and "Come Down". The album received widespread critical acclaim, placing highly on several music critics' end-of-year lists. It received a Grammy nomination for Best Urban Contemporary Album.
Background
The album is described as the beginning of his potential commercial breakthrough, following his prominent role on Dr. Dre's album Compton (2015). Paak is featured on six songs on Compton, including "Animals". The track was produced by DJ Premier. Although, the track was initially slated for his 2016 album, Malibu. Dr. Dre later approved to have the track featured on his album Compton.
Singles
The album's lead single, "The Season / Carry Me", was released on November 8, 2015.
The album's second single, "Am I Wrong", was released on November 9, 2015. The song features a guest appearance from American rapper Schoolboy Q.
The album's third single, "Room in Here", was released on December 9, 2015. The song features guest appearances from American rapper The Game and American singer Sonyae Elise.
The album's fourth single, "Come Down", was released on January 9, 2016. The song was listed as the 44th best song of 2016 by Pitchfork.
User Album Review
It doesn’t take long to reach the heart of Anderson .Paak’s new album, Malibu. Just a minute into opening track "The Birds," the West Coast-based rapper and singer/songwriter offers: "My mama caught the gambling bug... My papa was behind them bars/ We never had to want for nuthin’/ Said all we ever need is love." His voice is warm, strained, and conversational, like a Baptist minister or your favorite uncle schooling you, and the wide-open groove has an unhurried feel. It's immediately clear: This is a sincere, soulful project, brimming with honesty and humble perseverance.
Brandon Anderson Paak has seen a lot in his 29 years. His mother was a farmer from South Korea, and his father served in the Air Force and later worked as a mechanic until he was sent to prison. "I didn’t see him again until he was being buried," .Paak told Consequence of Sound in a 2015 interview. All of this life experience is reflected in Malibu, which is both his most assured and most personal project yet.
.Paak's name is more prominent these days given his recent work on Dr. Dre’s Compton, where he appeared on six of 16 tracks, but even his sophomore album, 2014's Venice, showed flashes of brilliance. Venice was an easy listen; on Malibu, .Paak celebrates his progression by acknowledging where he’s come from, the trials he’s endured and things he’s seen. "I spent years being called out my name, living under my greatness," .Paak asserts on "The Season / Carry Me," a shape-shifting album highlight. He grew up performing in church, and on the song’s second half, you can hear a rich gospel flair in his voice: "Ya moms in prison, ya father need a new kidney/ Ya family’s splittin’, rivalries between siblings/ If cash ain’t king, it’s damn sure the incentive." Much like Kendrick Lamar, .Paak skillfully depicts his surroundings while remaining in the foreground.
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Kendrick's spirit feels present at many points on Malibu. .Paak's quicksilver flow on "Your Prime" feels teleported in directly from To Pimp a Butterfly as the music flows expansively from creamy soul harmonies to trap cadences. But .Paak is a confident and unique presence, with a strong command of style and genre as a producer and songwriter. He leapfrogs three eras in a festive suite of songs mid-album that examine heartbreak: '60s soul on "Put Me Thru," club grooves on "Am I Wrong," and '90s hip-hop on "Without You." His musical and emotional generosity ties everything together, making Malibu an expansive opus that flows in multiple directions like a classic '70s double album.
Malibu is a community-oriented project, much like Chance the Rapper on last year's Surf, informed by voices from the past and full of guests who are given ample space to do their best work. The Game drops one of his most disarming, winning verses in a minute on "Room in Here"; Rapsody flows affectingly about heartache over Dilla-style boom-bap. Many songs ride out on extended breakdowns, like "Parking Lot," which feels like a studio band given room to stretch.
On "The Dreamer," the album’s celebratory final track, .Paak shares his success with his community, people who look like him and work to avoid similar pitfalls. "Who cares ya daddy couldn’t be here/ Mama always kept the cable on/ I’m a product of the tube and the free lunch/ Living room, watching old reruns." This is powerful art, not only for people of color, but for everyone who exists beyond societal constraints. It’s for those who’ve been told they don’t quite fit, those viewed through a different lens because of their circumstances. It’s a beautiful reminder that, no matter what you’ve endured, you can go anywhere and reach glorious heights.
SOURCE: https://pitchfork.com/reviews/albums/21387-malibu/
External Album Reviews
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User Comments
Available in:
Malibu is the second studio album by American singer Anderson Paak. It was released on January 15, 2016, by ArtClub International, Empire Distribution, OBE and Steel Wool Records following the release of his EP, Link Up & Suede, with Knxwledge (credited as the duo, NxWorries).
Malibu was supported by four singles: "The Season / Carry Me", "Am I Wrong", "Room in Here" and "Come Down". The album received widespread critical acclaim, placing highly on several music critics' end-of-year lists. It received a Grammy nomination for Best Urban Contemporary Album.
Background
The album is described as the beginning of his potential commercial breakthrough, following his prominent role on Dr. Dre's album Compton (2015). Paak is featured on six songs on Compton, including "Animals". The track was produced by DJ Premier. Although, the track was initially slated for his 2016 album, Malibu. Dr. Dre later approved to have the track featured on his album Compton.
Singles
The album's lead single, "The Season / Carry Me", was released on November 8, 2015.
The album's second single, "Am I Wrong", was released on November 9, 2015. The song features a guest appearance from American rapper Schoolboy Q.
The album's third single, "Room in Here", was released on December 9, 2015. The song features guest appearances from American rapper The Game and American singer Sonyae Elise.
The album's fourth single, "Come Down", was released on January 9, 2016. The song was listed as the 44th best song of 2016 by Pitchfork.
User Album Review
It doesn’t take long to reach the heart of Anderson .Paak’s new album, Malibu. Just a minute into opening track "The Birds," the West Coast-based rapper and singer/songwriter offers: "My mama caught the gambling bug... My papa was behind them bars/ We never had to want for nuthin’/ Said all we ever need is love." His voice is warm, strained, and conversational, like a Baptist minister or your favorite uncle schooling you, and the wide-open groove has an unhurried feel. It's immediately clear: This is a sincere, soulful project, brimming with honesty and humble perseverance.
Brandon Anderson Paak has seen a lot in his 29 years. His mother was a farmer from South Korea, and his father served in the Air Force and later worked as a mechanic until he was sent to prison. "I didn’t see him again until he was being buried," .Paak told Consequence of Sound in a 2015 interview. All of this life experience is reflected in Malibu, which is both his most assured and most personal project yet.
.Paak's name is more prominent these days given his recent work on Dr. Dre’s Compton, where he appeared on six of 16 tracks, but even his sophomore album, 2014's Venice, showed flashes of brilliance. Venice was an easy listen; on Malibu, .Paak celebrates his progression by acknowledging where he’s come from, the trials he’s endured and things he’s seen. "I spent years being called out my name, living under my greatness," .Paak asserts on "The Season / Carry Me," a shape-shifting album highlight. He grew up performing in church, and on the song’s second half, you can hear a rich gospel flair in his voice: "Ya moms in prison, ya father need a new kidney/ Ya family’s splittin’, rivalries between siblings/ If cash ain’t king, it’s damn sure the incentive." Much like Kendrick Lamar, .Paak skillfully depicts his surroundings while remaining in the foreground.
TRENDING NOW
Sean Paul Rates Pet Sunglasses, Nike Eyebrows, and Rainbow Teeth
Kendrick's spirit feels present at many points on Malibu. .Paak's quicksilver flow on "Your Prime" feels teleported in directly from To Pimp a Butterfly as the music flows expansively from creamy soul harmonies to trap cadences. But .Paak is a confident and unique presence, with a strong command of style and genre as a producer and songwriter. He leapfrogs three eras in a festive suite of songs mid-album that examine heartbreak: '60s soul on "Put Me Thru," club grooves on "Am I Wrong," and '90s hip-hop on "Without You." His musical and emotional generosity ties everything together, making Malibu an expansive opus that flows in multiple directions like a classic '70s double album.
Malibu is a community-oriented project, much like Chance the Rapper on last year's Surf, informed by voices from the past and full of guests who are given ample space to do their best work. The Game drops one of his most disarming, winning verses in a minute on "Room in Here"; Rapsody flows affectingly about heartache over Dilla-style boom-bap. Many songs ride out on extended breakdowns, like "Parking Lot," which feels like a studio band given room to stretch.
On "The Dreamer," the album’s celebratory final track, .Paak shares his success with his community, people who look like him and work to avoid similar pitfalls. "Who cares ya daddy couldn’t be here/ Mama always kept the cable on/ I’m a product of the tube and the free lunch/ Living room, watching old reruns." This is powerful art, not only for people of color, but for everyone who exists beyond societal constraints. It’s for those who’ve been told they don’t quite fit, those viewed through a different lens because of their circumstances. It’s a beautiful reminder that, no matter what you’ve endured, you can go anywhere and reach glorious heights.
SOURCE: https://pitchfork.com/reviews/albums/21387-malibu/
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