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Track List
01) Irme kero
02) Mano suave
03) Adio kerida
04) Una noche mas
05) Nani nani
06) Komo la roza
07) Si veriash
08) Mal de l'amor
09) Por la mia
10) Una ora
11) Perdono
12) Odecha
01) Irme kero
02) Mano suave
03) Adio kerida
04) Una noche mas
05) Nani nani
06) Komo la roza
07) Si veriash
08) Mal de l'amor
09) Por la mia
10) Una ora
11) Perdono
12) Odecha
4:44
5:27
3:42
4:54
4:26
4:02
3:21
4:29
4:45
3:32
4:01
5:32
Data Complete
50%
Total Rating
50%Total Rating
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3D Flat
3D Face
3D Spine
First Released
2007
World/Ethnic
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International
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Album Description
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Yasmin Levy has proved herself to be the leading exponent of Ladino song (Ladino is the language of the Sephardic Jews whose roots are in Spain). However, her previous albums have never quite captured her potential. This time, though, she's hit the spot, finding both the intensity of performance and delicacy of arrangement that's been her hallmark. The style is a mix of influences that blend perfectly -- listen carefully and you can hear traces of flamenco nestled alongside Middle Eastern music, with influences from around the Mediterranean liberally scattered across the sound. Her voice is in glorious form, with a depth of purity that illustrates just how she's matured and fully grown into her ability. Her own band, now well bedded-in, is superb and sympathetic, but there are some surprising additions (Paraguayan harp, anyone?). Natacha Atlas weighs in for a duet on the title cut, which becomes a gentle contest between the two singers, both of whom work out of their skins on the track. This is a disc of real beauty, with plenty of heartbreak, and it demands intense listening. But the rewards are more than worth the time.
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Yasmin Levy has proved herself to be the leading exponent of Ladino song (Ladino is the language of the Sephardic Jews whose roots are in Spain). However, her previous albums have never quite captured her potential. This time, though, she's hit the spot, finding both the intensity of performance and delicacy of arrangement that's been her hallmark. The style is a mix of influences that blend perfectly -- listen carefully and you can hear traces of flamenco nestled alongside Middle Eastern music, with influences from around the Mediterranean liberally scattered across the sound. Her voice is in glorious form, with a depth of purity that illustrates just how she's matured and fully grown into her ability. Her own band, now well bedded-in, is superb and sympathetic, but there are some surprising additions (Paraguayan harp, anyone?). Natacha Atlas weighs in for a duet on the title cut, which becomes a gentle contest between the two singers, both of whom work out of their skins on the track. This is a disc of real beauty, with plenty of heartbreak, and it demands intense listening. But the rewards are more than worth the time.
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unlockedRank: External Links
