Album Title
Kelly Rowland
Artist Icon Here I Am (2011)
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First Released

Calendar Icon 2011

Genre

Genre Icon R&B

Mood

Mood Icon Good Natured

Style

Style Icon Urban/R&B

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Release Format

Release Format Icon Album

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Album Description
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Here I Am is the third studio album by American recording artist Kelly Rowland, released through Universal Motown (Universal Music) on July 22, 2011. The album is Rowland's first release since parting ways with her long-time manager Matthew Knowles and record label Columbia Records. Here I Am is predominately a R&B and pop album with subtle influences of dance. It follows Rowland's assertion that "no one puts her in a box" with common themes around womanhood, sexual intimacy and love. Originally scheduled for release in 2010, the album was pushed back after the first round of singles were released to mixed reception, both with critics and commercially.

"Commander" (2010) produced by and featuring David Guetta topped the US Hot Dance Club Songs chart and became a top-ten hit in the UK and some of Europe. Three other singles: "Forever and a Day", "Rose Colored Glasses" and "Grown Woman", all had limited commercial success and are subsequently included on selected editions of the album or excluded altogether. The international version of the album features seventeen songs including ones excluded from the US editions and some remixes. Here I Am features guest performances from Lil Wayne, Nelly, Rico Love, Lil Playy, The WAV.s and Big Sean, who features on the single "Lay It on Me". Production of the album was handled by the likes of Rodney Jerkins, Guetta, Jim Jonsin, Hit-boy, RedOne and The Runners. Love wrote half of the songs on the album, while Rowland earns writing credits for three of the songs.

After re-recording the majority of the album, a new single featuring Lil Wayne titled "Motivation", preceded the album in the US. It was greeted with a positive reception from critics and topped the Hot R&B/Hip-Hop Songs chart as well as peaking in the top-twenty of the Billboard Hot 100, becoming Rowland's most successful single to date.

Here I Am was received well by critics, many of whom praised the strong productions and vocal performances but questioned some of the guests and a lack of the up-tempo dance sound Rowland had spoken of. Here I Am debuted at number one on the Top R&B/Hip-Hop Albums chart and number three on the US Billboard 200 albums chart, selling 77,000 copies. To date, it is Rowland's highest debuting album in the US.
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User Album Review


No, she's not Beyoncé. Then again, her BFF and former bandmate has the market cornered when it comes to Glasto-stealing, Obama-charming, baby-bump-baring RnB divas. But even if these days her pop career seems to proceed on a single-by-single basis, Kelly Rowland hasn't had a bad run since Destiny's Child disbanded. In fact, she's racked up eight UK top 10 hits either on her lonesome or as a pretty flashy featured artist. And if there must be talent show judges with catchphrases, K-Ro and "put it down" are infinitely preferable to Alexandra Burke's recent attempt to make "OK dot com" happen.

Sadly, much of Here I Am lacks the sass that Rowland displays on The X Factor. The album's first half is a succession of synthy mid-tempo tracks helmed by the sort of expensive RnB producers whose studio doors are always open: Christopher ‘Tricky’ Stewart, Rico Love, Rodney ‘Darkchild’ Jerkins. Admittedly, some of it is pretty decent – particularly the Lil Wayne-assisted Motivation and the Rihanna-aping I'm Dat Chick – but personality is lacking.

Thankfully, like a football team given a half-time ear-bashing by the guv'nor, Here I Am steps up in the second half. It's all a bit scrappy though, as this 17-song ‘International Edition’ of the album grabs pretty much whatever it can to maximise its appeal. Rowland's summer house hit, What a Feeling? Check. The Diplo remix of Motivation? Check. A couple of David Guetta collaborations? Check – and who cares that When Love Takes Over is now two-and-a-half years old?

Inevitably, this turns Here I Am into a bit of a grab-bag in its latter stages, but it's a grab-bag that only Tulisa Contostavlos could claim not to find some pleasure in. Clubbier cuts like Forever and a Day and current single Down for Whatever suggest that Rowland's future could lie as a kind of dance diva with street cred. If she's quick, she can crack on while B's under doctor's orders to keep her feet up.



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