Album Title
David Bowie
Artist Icon Black Tie White Noise (1993)
heart off icon (0 users)
Last IconTransparent icon Next icon

Transparent Block
Cover NOT yet available in 4k icon
Join Patreon for 4K upload/download access


Your Rating (Click a star below)

Star off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off icon


















5:04
4:43
4:52
4:53
4:23
4:35
4:39
4:12
4:53
5:37
4:06
4:36
4:05
5:38
5:48

Data Complete
percentage bar 80%

Total Rating

Star Icon (1 users)

Back Cover
Transparent Block

CD Art
CDart Artwork

3D Case
Album 3D Case

3D Thumb
Album 3D Thumb

3D Flat
Album 3D Flat

3D Face
Album 3D Face

3D Spine
Transparent Icon

First Released

Calendar Icon 1993

Genre

Genre Icon Rock

Mood

Mood Icon Weird

Style

Style Icon Rock/Pop

Theme

Theme Icon ---

Tempo

Speed Icon ---

Release Format

Release Format Icon Album

Record Label Release

Speed Icon RCA

World Sales Figure

Sales Icon 0 copies

Album Description
Available in:
Black Tie White Noise is the eighteenth studio album by David Bowie. Released in 1993, it was his first solo release in the 1990s after spending time with his hard rock band Tin Machine, retiring his old hits on his Sound+Vision Tour, and marrying supermodel Iman Abdulmajid. This album featured his old guitarist from the Ziggy Stardust era, Mick Ronson, who died of cancer later in the year. This album was inspired by his own wedding and includes tracks such as "The Wedding" and its reprise at the end of the album as a song reflecting the occasion. The album debuted number one in the UK album charts two weeks after its release, his last #1 UK album until 2013's The Next Day.
wiki icon


User Album Review
In 1993 there was little reason to expect that David Bowie might make a decent record. He’d just given the world, unasked, the sludgy group rock of Tin Machine, which had done nothing to cleanse the listener’s palate after his 80s solo albums, which reached their nadir with 1987’s Never Let Me Down.
But the release of Black Tie White Noise, which reunited Bowie with Nile Rodgers, changed all that. Now it seems that Tin Machine had existed solely to wipe away any memory of what Bowie himself calls his "Phil Collins albums". Job done, Bowie was now free to pick up where he’d left off with 1980’s Scary Monsters (and Super Creeps), the first of his records to actively look back over his own career and consolidate its many sounds.
Black Tie refers to many aspects of Bowie’s career. Rodgers provides a more considered sound than the crash and glitz of the pair’s previous collaboration, Let’s Dance. Mick Ronson, who’d not worked with Bowie for almost 20 years, plays on a cover of Cream’s I Feel Free, an old Spiders staple (it was sadly their last recording together, as Ronson was to die of cancer that year). Another song covered here, The Walker Brothers’ Nite Flights, is one that directly influenced Bowie’s own work with Brian Eno; and that work is also referenced in the instrumental opener The Wedding, which is named in tribute to Bowie’s wedding to model Iman Abdulmajid that year. And while the title-track (featuring rapper Al B Sure!) considered the recent LA Riots, the darkly beautiful single Jump They Say was a more personal effort, Bowie expressing his feelings concerning the death of his half-brother Terry.
All of this could have been something of a mishmash were it not for Bowie’s immense confidence (his vocals have never been better) and Rodger’s sympathetic production. As an album, it was both a critical and commercial success (number one in the UK). As a statement of the next stage of Bowie’s career, it was perfect. The 90s would be a decade of change and experimentation for David Bowie, and Black Tie White Noise was the first step on his new journey.


External Album Reviews
None...



User Comments
seperator
No comments yet...
seperator

Status
Locked icon unlocked

Rank:

External Links
MusicBrainz Large icontransparent block Amazon Large icontransparent block Metacritic Large Icon