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Track List
01) Welcome to the Jungle
02) It's So Easy
03) Nightrain
04) Out ta Get Me
05) Mr. Brownstone
06) Paradise City
07) My Michelle
08) Think About You
09) Sweet Child o' Mine
10) You're Crazy
11) Anything Goes
12) Rocket Queen
01) Welcome to the Jungle
02) It's So Easy
03) Nightrain
04) Out ta Get Me
05) Mr. Brownstone
06) Paradise City
07) My Michelle
08) Think About You
09) Sweet Child o' Mine
10) You're Crazy
11) Anything Goes
12) Rocket Queen
4:33
3:22
4:28
4:23
3:48
6:46
3:39
3:51
5:56
3:17
3:26
6:13
Data Complete
90%
Total Rating
90%Total Rating
(6 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1987
Hard Rock
Epic
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Appetite for Destruction is the debut studio album by American hard rock band Guns N' Roses, released on July 21, 1987 on Geffen Records. It was well received by critics and topped the American Billboard 200 chart. As of September 2008, the album has been certified 18 times Platinum by the RIAA. The album is featured in the book 1001 Albums You Must Hear Before You Die,.
Axl Rose stated that many of the songs featured on the album had been written while the band had been performing on the Los Angeles club circuit, and a number of songs that would be featured on later Guns N' Roses albums were considered for Appetite for Destruction, such as "Back Off Bitch", "You Could Be Mine", "November Rain" and "Don't Cry". It is said that the reason for not putting "November Rain" on it was because they had already agreed to put "Sweet Child 'O Mine" on it and thus already had a ballad on the album (however, both Use Your Illusion albums would contain more than one ballad).
The band started searching for someone to produce their debut, mostly recommendations made by Geffen executives Alan Niven and Tom Zutaut. Demos were recorded under both Manny Charlton and Spencer Proffer, with some work made with the latter being issued in the EP Live ?!*@ Like a Suicide. One of the interviewed prospects was Kiss's Paul Stanley, rejected after insisting on changes to Steven Adler's drum setup and the songs. The band considered Robert John "Mutt" Lange, but he proved too expensive to hire. Eventually Mike Clink, who had produced several Triumph records, was chosen, for being the first to record the band exactly the way they wanted.
After some weeks of rehearsal, the band entered Daryl Dragon's Rumbo Recorders in January 1987. Two weeks were spent laying down basic tracks, with Clink splicing together the best takes with his razor blade. Clink worked eighteen-hour days for the next month, with Slash overdubbing in the afternoon and evening, and Rose cutting vocals until the sun came up. Slash struggled to find a guitar sound before coming up with a Gibson Les Paul copy plugged into a Marshall amplifier. He spent hours with Clink paring down and structuring his solos. The total budget for the album was about $370,000. According to drummer Steven Adler, the percussion was done in just six days, but Rose's vocals took much longer as he insisted on doing them one line at a time, in a perfectionism that drove the rest of the band away from the studio as he worked.
Many of the songs on Appetite For Destruction began as solo tracks that individual band members wrote separate from the band, only to be completed later. These songs include "It's So Easy" (Duff McKagan) and "Think About You" (Izzy Stradlin). "Rocket Queen" was an unfinished Slash/McKagan/Adler song that was written from their earlier band Road Crew, whereas "Anything Goes", written by Hollywood Rose and included in their compilation album The Roots of Guns N' Roses, was later re-written for Appetite.
Most of the songs on the album reflect the band's personal experiences and daily life, such as "Welcome to the Jungle", some of the lyrics of which Rose wrote after he encountered a man near the highways of Manhattan in 1980 shortly after arriving there from Indiana, and "Mr. Brownstone", which is about the band's problems with heroin. Lyrics to some of the songs focus on the band members' younger years, like "Out ta Get Me", which focuses on lead singer Axl Rose's constant trouble with the law as a youth in Indiana. The band also based song lyrics on some of their female friends, reflected in the songs "Sweet Child o' Mine", "My Michelle", "You're Crazy", and "Rocket Queen".
User Album Review
Guns N' Roses were formed in 1985 and eventually signed to Geffen records after two years of hard graft (and, one suspects, just as hard playtime) in the rock clubs of LA. It was these two years of bawdy experience that would be the inspiration for their first album, Appetite for Destruction.
And this is what makes Appetite such an oddity. It inhabits a strangely hermetic place, concerning itself as it does with the scene in which the band were born, whether it be the band's girlfriends (Sweet Child O'Mine, My Michelle), their chemical intake (Mr Brownstone, Rocket Queen) or just LA, itself (Welcome to the Jungle).
Even the band's appearance verged on the parodic. While they were at odds with the prevalent glam metal stylings of bands like Mötley Crüe (with whom they toured) or Bon Jovi, the band themselves - all cowboy boots, bandanas and leather - hardly broke the mould. Yet they traded on a dynamic that balanced them between the lifestyle they portrayed and the no-nonsense kick-ass aesthetic of their sound. Punk metal was born.
And let's make no bones about it: this band could play. Steven Adler's drums sound huge, while Slash's riffs had yet to descend into cliché, his snarling Les Paul force-fed through a growling wah-wah. Axl Rose's cartoon squeal of indignation was the perfect summation of the band's philosophy of good times to be had living on the 'edge'. Appetite... never lets up. Never had hedonism sounded so good.
But perhaps the real innovation about this band was the way they were marketed. Having lost touch with their grass roots support while recording this album, it was David Geffen's intervention at MTV that saw their video for Welcome to the Jungle put on rotation, opening the wallets of middle America and, eventually, the rest of the world. This was metal for a new age of the media.
Of course, the band couldn't make a move without courting infamy. The original 'robotic rapist' sleeve by hot rod icon Robert Williams had to be withdrawn after protesters began to boycott the album. Re-sleeved, the album racked up sales of 25 million. It remains GN'R's crowning glory.
Whatever your thoughts on Axl and company today, on Appetite... the band was hungry, capable of turning on the fireworks and, most importantly, making a noise that your parents would detest.
External Album Reviews
None...
User Comments
Available in:
Appetite for Destruction is the debut studio album by American hard rock band Guns N' Roses, released on July 21, 1987 on Geffen Records. It was well received by critics and topped the American Billboard 200 chart. As of September 2008, the album has been certified 18 times Platinum by the RIAA. The album is featured in the book 1001 Albums You Must Hear Before You Die,.
Axl Rose stated that many of the songs featured on the album had been written while the band had been performing on the Los Angeles club circuit, and a number of songs that would be featured on later Guns N' Roses albums were considered for Appetite for Destruction, such as "Back Off Bitch", "You Could Be Mine", "November Rain" and "Don't Cry". It is said that the reason for not putting "November Rain" on it was because they had already agreed to put "Sweet Child 'O Mine" on it and thus already had a ballad on the album (however, both Use Your Illusion albums would contain more than one ballad).
The band started searching for someone to produce their debut, mostly recommendations made by Geffen executives Alan Niven and Tom Zutaut. Demos were recorded under both Manny Charlton and Spencer Proffer, with some work made with the latter being issued in the EP Live ?!*@ Like a Suicide. One of the interviewed prospects was Kiss's Paul Stanley, rejected after insisting on changes to Steven Adler's drum setup and the songs. The band considered Robert John "Mutt" Lange, but he proved too expensive to hire. Eventually Mike Clink, who had produced several Triumph records, was chosen, for being the first to record the band exactly the way they wanted.
After some weeks of rehearsal, the band entered Daryl Dragon's Rumbo Recorders in January 1987. Two weeks were spent laying down basic tracks, with Clink splicing together the best takes with his razor blade. Clink worked eighteen-hour days for the next month, with Slash overdubbing in the afternoon and evening, and Rose cutting vocals until the sun came up. Slash struggled to find a guitar sound before coming up with a Gibson Les Paul copy plugged into a Marshall amplifier. He spent hours with Clink paring down and structuring his solos. The total budget for the album was about $370,000. According to drummer Steven Adler, the percussion was done in just six days, but Rose's vocals took much longer as he insisted on doing them one line at a time, in a perfectionism that drove the rest of the band away from the studio as he worked.
Many of the songs on Appetite For Destruction began as solo tracks that individual band members wrote separate from the band, only to be completed later. These songs include "It's So Easy" (Duff McKagan) and "Think About You" (Izzy Stradlin). "Rocket Queen" was an unfinished Slash/McKagan/Adler song that was written from their earlier band Road Crew, whereas "Anything Goes", written by Hollywood Rose and included in their compilation album The Roots of Guns N' Roses, was later re-written for Appetite.
Most of the songs on the album reflect the band's personal experiences and daily life, such as "Welcome to the Jungle", some of the lyrics of which Rose wrote after he encountered a man near the highways of Manhattan in 1980 shortly after arriving there from Indiana, and "Mr. Brownstone", which is about the band's problems with heroin. Lyrics to some of the songs focus on the band members' younger years, like "Out ta Get Me", which focuses on lead singer Axl Rose's constant trouble with the law as a youth in Indiana. The band also based song lyrics on some of their female friends, reflected in the songs "Sweet Child o' Mine", "My Michelle", "You're Crazy", and "Rocket Queen".
User Album Review
Guns N' Roses were formed in 1985 and eventually signed to Geffen records after two years of hard graft (and, one suspects, just as hard playtime) in the rock clubs of LA. It was these two years of bawdy experience that would be the inspiration for their first album, Appetite for Destruction.
And this is what makes Appetite such an oddity. It inhabits a strangely hermetic place, concerning itself as it does with the scene in which the band were born, whether it be the band's girlfriends (Sweet Child O'Mine, My Michelle), their chemical intake (Mr Brownstone, Rocket Queen) or just LA, itself (Welcome to the Jungle).
Even the band's appearance verged on the parodic. While they were at odds with the prevalent glam metal stylings of bands like Mötley Crüe (with whom they toured) or Bon Jovi, the band themselves - all cowboy boots, bandanas and leather - hardly broke the mould. Yet they traded on a dynamic that balanced them between the lifestyle they portrayed and the no-nonsense kick-ass aesthetic of their sound. Punk metal was born.
And let's make no bones about it: this band could play. Steven Adler's drums sound huge, while Slash's riffs had yet to descend into cliché, his snarling Les Paul force-fed through a growling wah-wah. Axl Rose's cartoon squeal of indignation was the perfect summation of the band's philosophy of good times to be had living on the 'edge'. Appetite... never lets up. Never had hedonism sounded so good.
But perhaps the real innovation about this band was the way they were marketed. Having lost touch with their grass roots support while recording this album, it was David Geffen's intervention at MTV that saw their video for Welcome to the Jungle put on rotation, opening the wallets of middle America and, eventually, the rest of the world. This was metal for a new age of the media.
Of course, the band couldn't make a move without courting infamy. The original 'robotic rapist' sleeve by hot rod icon Robert Williams had to be withdrawn after protesters began to boycott the album. Re-sleeved, the album racked up sales of 25 million. It remains GN'R's crowning glory.
Whatever your thoughts on Axl and company today, on Appetite... the band was hungry, capable of turning on the fireworks and, most importantly, making a noise that your parents would detest.
External Album Reviews
None...
User Comments
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