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Track List
01) Falaise
02) Last Bloom
03) Anasickmodular
04) Requiem for CS70 and Strings
05) Karakul
06) LesAlpx
07) Bias
08) Environments
09) Birth
10) Sea-Watch
11) Apoptose, Pt. 1
12) Apoptose, Pt. 2
01) Falaise
02) Last Bloom
03) Anasickmodular
04) Requiem for CS70 and Strings
05) Karakul
06) LesAlpx
07) Bias
08) Environments
09) Birth
10) Sea-Watch
11) Apoptose, Pt. 1
12) Apoptose, Pt. 2
3:55
5:53
3:12
2:23
1:54
4:42
5:08
4:45
3:00
4:04
2:35
2:28
Data Complete
40%
Total Rating
40%Total Rating
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First Released
2019
Electronic
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Album
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Album Description
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Crush is the second studio album by British electronic musician Sam Shepherd, released under his alias Floating Points on 18 October 2019 by Ninja Tune.
Crush received positive reception upon release. At Metacritic, which assigns a normalized rating out of 100 to reviews from music publications, the album received an average score of 81 based on 16 reviews, indicating "universal acclaim". Shawn Reynaldo of Pitchfork awarded the album "Best New Music", saying that the project is "an album of mischievous, melodic, stripped-down electronic music". Dylan Barnabe at Exclaim! noted that although "the sonic explorations undermine the album's overall cohesiveness, Crush remains a shining example of Shepherd's growth as an artist". In a mixed review, John Mulvey of Mojo thought that the project was "a decent album, but perhaps not the one some of us were hoping for.".
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Crush is the second studio album by British electronic musician Sam Shepherd, released under his alias Floating Points on 18 October 2019 by Ninja Tune.
Crush received positive reception upon release. At Metacritic, which assigns a normalized rating out of 100 to reviews from music publications, the album received an average score of 81 based on 16 reviews, indicating "universal acclaim". Shawn Reynaldo of Pitchfork awarded the album "Best New Music", saying that the project is "an album of mischievous, melodic, stripped-down electronic music". Dylan Barnabe at Exclaim! noted that although "the sonic explorations undermine the album's overall cohesiveness, Crush remains a shining example of Shepherd's growth as an artist". In a mixed review, John Mulvey of Mojo thought that the project was "a decent album, but perhaps not the one some of us were hoping for.".
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