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1 Female
Origin
Tours, france
Genre
Pianist
Style
Classical
Mood
---
Born
1 FemaleOrigin
Tours, franceGenre
PianistStyle
ClassicalMood
---
Born
1974
Active
---Present...
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Born in Tours, Delphine Bardin began playing the piano at the age of five. She is the pupil of Paule Grimaldi, then Marie-Claude Equoy, before entering the CNSM of Paris; She won first prizes for piano, chamber music, vocal accompaniment and piano accompaniment. She then studied with Pierre-Laurent Aimard and Christian Ivaldi as part of the development cycle.
Winner of the Yvonne Lefébure Fellowship, then of the Natexis Banque Populaire Foundation, she was awarded in 1997 by the Clara Haskil Prize, in Vevey, Switzerland.
Elected "Rising Star" by the Cité de la Musique for the 2001/2002 season, she has appeared in numerous engagements as a soloist in France, Switzerland, Germany, Portugal, Canada, the United States, the Cologne Philharmonic , the Wigmore Hall in London, the Palais des Beaux-Arts in Brussels, etc. as well as at the Klavier Festival of the Ruhr, at the Mozart - Messiaen Days in Vevey, Festival of St. Ursanne ...
She performed in February 2012 in Bos
ton, and in New York at Carnegie Weill Hall with partner Elsa Grether, as well as at the "Love Your Brahms" Festival in Switzerland in summer 2013.
Chamber music plays an essential role in her activities, and with cellist Maryse Castello and violinist Arno Madoni, she founded the Pilgrim Trio in 2007. www.triopilgrim.fr
She also plays with pianist Dana Ciocarlie, flutist Sarah Louvion, and cellist Ophélie Gaillard.
Winner of the Pro Musicis International Prize in 2009, in duet with violinist Elsa Grether, she has since been passionate about transmitting music to sick or underprivileged children.
records:
Schumann and Mozart with the Lausanne Chamber Orchestra under the direction of Jesus Lopez-Cobos, (Claves),
French melodies with soprano Hélène Guilmette (Ambroisie),
The 13 Barcarolles by Gabriel Fauré (Alpha, May 2010), "Diapason d'Or",
Works by Liszt (2012) for cello and piano with Ophélie Gaillard, (Aparté)
Delphine Bardin - reviews from critics
"Delphine Bardin is beautifully in a perspective that is both intimate and dreamy, plays on the chiaroscuro without ever forcing the line, it leads to the unreal without any insistence ..." Gérard Pangon, Radio Classique, June 2010
"Delphine Bardin or the dream" ... "An incomparable freshness and a touch of incredible sound beauty. Jean Cossetto, La Presse (Switzerland)
"A superb combination of dexterity, fluidity, and intelligence of music, a glorious evening ..." Frederick L. Kirshnit, Delphine Bardin recital at Carnegie Weill Hall, New York.
"His world is sweetness, mystery, sensitivity. She tenderly savored the finest nuances of touch. She first played the great sonata Schubert D 959: very finely and transparently, with a beaded velocity, then the 4 Mazurkas op. 24 of Chopin and the "noble and sentimental Waltzes" of Ravel. She breathed such lightness and fragrance into them that her touch seemed to have obvious weightlessness. Sonja Eisold, Westfälische Rundschau
"... The sound of the piano is royal: its density, its fleshy roundness, its frankness radiate in an extraordinary way, which gives to hear the thirteen barcarolles in a new light ... Having pianistic means quite exceptional, it manages to color, to shading, lighting the sentences to bring them to their maximum point of intensity. His subtle playing finds a base in the sonorous, sonorous bass, which merges beautifully, when necessary, into the field of the right hand. Above all, it gives a surprising polyphonic transparency to these plays too often played "atmospheric": we hear then as an echo of old music, old harmonies that Fauré had experimented with Niedermeyer ... "Alain Lompech," Diapason ", May 2010
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