Jon Hassell | TheAudioDB.com

Artist Name
Jon Hassell

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Seeing Through Sound (Pen (2020)	Last Night the Moon Came (2009)	Magic Realism 2 (2005)
Maarifa Street (2005)	Fascinoma (1999)	Love and Death on Long Is (1998)
City - Works of Fiction (1990)	Flash of the Spirit (1988)	The Surgeon of the Nights (1987)
Power Spot (1986)	Aka/Darbari/Java: Magic R (1983)	Fourth World, Volume 2: D (1981)
Fourth World, Volume 1: P (1980)	Earthquake Island (1978)	Vernal Equinox (1977)

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1 Male

Origin
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Memphis, USA

Genre
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Jazz

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International

Mood
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Enlightened

Born

born icon 1937

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---Present...

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Artist Biography
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Jon Hassell (born March 22, 1937) is an American trumpet player and composer. He is known for his influence in the world music scene and his unusual electronic manipulation of the trumpet sound.
In the early 80s Jon Hassel made a name for himself by releasing recordings that mixed his odd Kiranic influenced trumpet melodies with ancient earthy poly-rhythms on the ghatan and congas. Although there was nothing trendy or shallow about Hassell's music, it came at the right time to ride a wave of world beat enthusiasm from the newly moneyed yuppie class who were also digging King Sunny Ade, Black Uhuru and Eno-Byrne's Bush of Ghosts album. In fact Hassell found himself playing a few of his unique solos on Eno and Byrne's highly acclaimed Talking Heads album, Remain in Light. Fast forward to 1994 and trip-hop and acid jazz are all the rage when who should appear with his first recording in four years? Since I found this CD in a DJ shop I was sure this was Hassell's shot at the new hip-hop flavored jazz that was dominating both the DJ/electronica and jazz scenes at the time. Hassell's mix of upbeat hip-hop rhythms, courtesy of drummer extraordinaire Brain, and samples and sounds from all over the world is successful in places, but ends up being neither a great trip-hop album nor a great world beat oddity as sometimes the two elements seem to work against each other. The best looped hip- hop tunes succeed when the riffs have that extra punch and immediacy that really drive the point home. You can never go wrong looping anything by the early 70s James Brown, those riffs have an immediate impact and urgency that can't be ignored and insist on some sort of bodily or mental involvement. Jon, despite his brainy and complex arrangements forgot to supply the minimalist melodic snippets that make this sort of thing take off, instead we get sounds from Africa, India or Jon's stack of polysynths that concentrate too much on building exotic textures but forget that great music in any genre is still melody and rhythm first, then texture.