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Ahmed Khelifati Mohamed (Arabic: أحمد خليفاتي محمد, aḥmad khalīfātī muḥammad) better known by his stage name Cheb Mami (Arabic: شاب مامي, shābb māmī), (born in Saïda, Algeria on 11 July 1966) is an Algerian raï singer. He sings and speaks in Algerian Arabic and French.
Beginnings:
Cheb Mami was born in Graba-el-wed (Arabic: غربة الواد), a populous quarter of Saïda (Arabic: سعيدة), Algeria. Located 170 kilometres south of Oran, the city of Saida is on the high mesas of southwestern Algeria. Cheb Mami grew up to a family of factory workers. He began singing and playing the accordion on Saida streets and by 1980 began performing at local weddings and ceremonies.
In 1982, the 16-year-old adolescent sang on the Alhan wa Chabab radio show, a singing competition organised by Radio Télevision Algérienne. He sang "El Marsam" (The Sanctuary) a classic of Oranese music from the 1920s. The audience was transfixed by the sheer emotion of his performance and by his concordant vocal intonations which captured perfectly the flavour of the song's title. The judges, who represented the government which refused to admit even the existence of raï, gave the first prize to the contestant that sang a cover version of a hit by the famous Egyptian diva, Umm Kulthum, but were forced to acknowledge the standing ovation Mami received by awarding him second prize.
Cheb Mami was spotted by Boualem, the producer of the Oran label, Disco Maghreb, and the cassette waltz began.
Career:
It was in 1985 that Mami came to Paris and found his musical niche. Raï fused blues, funk, salsa, reggae, hip hop and Algerian rhythms, while integrating touches of his idols Stevie Wonder, Otis Redding and French rapper MC Solaar.
Cheb Mami made his first official public appearance at the First Oran Raï Festival in 1985, which marked the official recognition of the genre by the Algerian authorities.
He was in military service for two years in Algeria but was an entertainer on army bases. After that, in May 1989, Mami returned to Paris at the Olympia, rejuvenating raï music. He began making recordings and performing in cabarets in the Paris suburb of Barbès. He also toured the United States, the Netherlands, Germany, Switzerland, Spain, Scandinavia and England.
Mami's music is a blend of Mediterranean and Western influences including Turkish, Flamenco and Greek music as well as Latin music. His voice is tinged with Andalusian accents, and his music is an amalgamation of the traditional and the modern styles of singing and creation of music.
In 1999, Mami topped the French pop charts with a groundbreaking duet with French rapper K-Mel, "Parisien du Nord". The song was an anthem against racism that seamlessly made the transition between hip hop and raï, and introduced throngs of young new audiences to raï. This song explores the racist issues between Arabs and French and the challenges of identity.
International recognition:
When Sting's album Brand New Day was released in 1999, the pair's duet, "Desert Rose", appeared on singles charts around the world, and led to television appearances on Saturday Night Live, the Today Show, Jay Leno, David Letterman, the Grammy Awards telecast and even a live performance at the Super Bowl.
Soon after his collaboration with Sting, Mami's released perhaps his most successful recording, the album Dellali, produced by former Chic guitarist Nile Rodgers. The album's lead single was "Le Raï C'est Chic", on which Sting returned the favor by providing backing vocals.
These successes fulfilled Mami's long-held dream of internationalising raï sounds, and has led him to be called the "Prince of Raï". Although Mami has been able to be recognized by mainstream media in the United States, Americans often equate his raï music genre with rock in the US during the 1950s and 1960s. Americans believe raï to be "North African punk," a genre of music for the purpose of rebelling against the government and resembling the music of 'young rockers' in the US, when in reality this music plays a very different role in the life of the North African diasporic community in France. Although raï does include narratives of the various struggles of this community against "the Algerian state or against the forces of 'tradition'", it is also the "music of the racialized Other" which chronicles struggles with racism and identity of North African people in France.
Arrest, imprisonment and release:
Mami was under an international arrest warrant after being indicted in October 2006 for "voluntary violence, sequestration and threats" against an ex-girlfriend, and failing to answer a court summons on 14 May 2007. He was accused of having tried to force Isabelle Simon, his former girlfriend and a magazine photographer, to have a forced abortion. During a trip to Algeria in the summer of 2005, the victim Isabelle Simon was locked in a house belonging to one of Mami's friends, where an abortive procedure was attempted on her. Back in France, however, she realized the fetus was still alive; she later gave birth to a daughter. Mami had accused his manager Michel Lecorre (a.k.a. Michel Levy) of organizing the abortion plan; Michel Levy was later sentenced to four years for plotting and organizing the assault.
Mami was arrested in France several days before his trial; he was taken into custody by officials at a Paris airport as he arrived into the country from Algeria on 22 June 2010. The following July, a Paris court found him guilty of drugging and attempted forcible abortion, and sentenced him to five years in prison.
On 21 September 2010, his lawyers applied for conditional release, a request that was turned down on 12 October 2010. Upon a second appeal however, the French court agreed for his conditional release on 23 March 2011.
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15th Jun 2023
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