Artist Name
Aaron Copland
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Appalachian Spring / Rodeo / Billy the Kid / Fanfare for the Common Man (1997)
Fanfare For the Common Man / Appalachian Spring / El salón México / Dance (1996)
Orchestral Works (1994)
Long Time Ago (The Saint-Paul Chamber Orchestra feat. conductor: Hugh Wolff (1994)
Music for Films (Saint Louis Symphony Orchestra feat. conductor: Leonard Sl (1994)
Billy the Kid / Rodeo (1994)
An American in Prague: Aaron Copland conducts the Czech Philharmonic Orches (1993)
Voyage au coeur du classique / Verken uw klassieke-horizonten (1993)
Fanfare for the Common Man / Billy The Kid / El Salón México / Hoe-Down F (1993)
Fanfare for the Common Man (1992)
Suite From "The Tender Land"; 3 Latin-American Sketches; Suite From "The Re (1991)
El salón México / Appalachian Spring / Rodeo / Dance Symphony / Fanfare f (1991)
Appalachian Spring (Original Chamber Version), Music for the Theatre, Latin (1991)
Orchestral Works (1990)
Clarinet Concerto, Etc. (New York Chamber Symphony feat. conductor: Gerard (1989)
Appalachian Spring / Rodeo / Billy the Kid / Fanfare for the Common Man (1987)
Bernstein: Chichester Psalms / Copland: In the beginning and Three Motets / (1987)
Music of Barber and Copland (Pacific Symphony Orchestra feat. conductor: Ke (1983)
Gershwin: Rhapsody in Blue / Barber: Adagio for Strings / Copland: Appalach (1983)
Fanfare for the Common Man / Rodeo / Appalachian Spring (Atlanta Symphony O (1982)
Barber: Adagio for Strings / Ives: Symphony No. 3 / Copland: Quiet City / C (1976)
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Members
1 Male

Genre
Classical

Mood
---

Style
Classical

Origin
Brooklyn, USA

Born

1900

Formed
---

Ended
1990

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Artist Biography
Aaron Copland (/ˌærən ˈkoʊplənd/; November 14, 1900 – December 2, 1990) was an American composer, composition teacher, writer, and later in his career a conductor of his own and other American music. Instrumental in forging a distinctly American style of composition, in his later years he was often referred to as "the Dean of American Composers" and is best known to the public for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as Populist and which the composer labeled his "vernacular" style. Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. The open, slowly changing harmonies of many of his works are archetypical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. In addition to his ballets and orchestral works, he produced music in many other genres including chamber music, vocal works, opera and film scores.


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Unlocked - Last Edit - 14/Mar/17

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