Artist Name
Cheikh Lô
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Album Releases refreshview
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Jamm (2010)
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Lamp Fall (2005)
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Bambay Gueej (1999)
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Inedits (1999)
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Né La Thiass (1996)


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Origin
flag Burkina, Africa

Genre
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Style
style icon Folk

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Born

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Active
calendar icon 1978 to Present...

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heart icon Most Loved Tracks
4 users heart off Cheikh Lô - Né La Thiass
3 users heart off Cheikh Lô - Boul di Tagale
3 users heart off Cheikh Lô - Il n'est jamais trop tard


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Artist Biography
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Cheikh N'Digel Lô is a Senegalese musician. He was born Lô was born in the late '50s to Senegalese parents in Bobo Dioulasso in Burkina Faso. Lô began playing drums and singing at an early age. He joined Orchestre Volta Jazz, a Bobo variety band that played Cuban and Congolese pop songs as well as traditional Burkinabé music. Lô moved to Senegal in 1978, performing in several mbalax outfits. By then, the Zairean sound was in full flower, Camerounian makossa was coming on strong, and reggae had entered the mix. Lô absorbed everything. In 1985 Lô was playing guitar with numerous Côte d'Ivoire and French musicians, which lead him to record material in Paris in 1987. After his band dissolved, Lô remained in Paris as a session musician, developing his own sound, described as a mix of mbalax, reggae and soukous influences. He spent most of his time in recording studios, and he picked up as much as he could. His casual contacts with Zaire's most successful progressive singer, Papa Wemba, were especially memorable. "I was a drummer. So when there was a group who came and didn't have a drummer, I would practice with them. Papa Wemba's drummer was also a businessman, so if he wasn't there, I would help out. He's from the school of Tabu Ley, and when I was young, I listened to Tabu Ley a lot."

In 1995 Youssou N'Dour offered to produce Lô's debut album, Ne La Thiass, which became a success worldwide.

Lô is a member of the Baye Fall, a movement within the Mouride sufi order of Islam. As such, he has dreadlocks, which is part of the order's customs. The reggae influence in his music, along with his dreadlocks, often leads to the misinterpretation that he is Rastafarian.

In 2002, he appeared on two tracks of the Red Hot Organization's tribute album to Fela Kuti, Red Hot and Riot. He collaborated with Les Nubians and Manu Dibango on one of the tracks, "Shakara / Lady (Part Two)."
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Last Edit by n1md4
02nd Feb 2013

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