Album Title
Tori Amos
Artist Icon Native Invader (2017)
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First Released

Calendar Icon 2017

Genre

Genre Icon Alternative Rock

Mood

Mood Icon Gritty

Style

Style Icon Rock/Pop

Theme

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Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Decca Records

World Sales Figure

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Album Description
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"Native Invader" is the fifteenth studio album by American singer/songwriter Tori Amos. It was released on September 8, 2017, through Decca Records. Its lead single, "Cloud Riders", was released on July 27, 2017. The 15th full-length studio release for the singer-songwriter features themes of nature and its death and re-birth cycles.
At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 73, based on 11 reviews, indicating "generally favorable reviews".
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User Album Review
The strength of this album, and the 14 that precede it, is the immense healing and soothing found in the sheer beauty of Amos’ vocal delivery. To just sit and let her voice wash over you, floating you away to a nicer part of the pool, is very much welcome right now. Prime examples of her ability to do that on Native Invader are “Climb”, which has a certain Under the Pink salty and sweet quality, “Reindeer King”, with its room-filling piano, reminiscent of “Precious Things”, and “Up the Creek”, in which she’s joined on vocals by her 16-year-old daughter, Tash. The heartbreaker of the album, in its own specific way, goes to “Mary’s Eyes”, a peace prayer for the singer’s own mother. “Hymns for us to sing/ She’s a believer/ Hymns locked in her memory/ I’m a believer they’re the key,” Amos sings on the track, wringing every last bit of love and hopefulness into the words, like you would a rag soaked in cool water, dripping into the open mouth of someone who hasn’t had a drop in days. Amos has said in interviews, including one with Consequence of Sound, that Native Invader isn’t the album she set out to make, as life and tragedy steered her towards new inspirations, but it’s definitely the album we needed.
Reviewed by Kelly McClure for consequenceofsound.net.


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