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Track List
01) Crabs in a Bucket
02) Big Fish
03) Alyssa Interlude
04) Love Can Be
05) 745
06) Ramona Park Is Yankee Stadium
07) Yeah Right
08) Homage
09) Samo
10) Party People
11) BagBak
12) Rain Come Down
01) Crabs in a Bucket
02) Big Fish
03) Alyssa Interlude
04) Love Can Be
05) 745
06) Ramona Park Is Yankee Stadium
07) Yeah Right
08) Homage
09) Samo
10) Party People
11) BagBak
12) Rain Come Down
3:17
3:18
2:38
2:58
3:47
0:51
3:08
2:53
2:53
2:59
2:40
4:41
Data Complete
40%
Total Rating
40%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2017
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Album Description
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"Big Fish Theory " is the second studio album by American rapper Vince Staples. It was released on June 23, 2017, by ARTium Recordings, Blacksmith Records and Def Jam Recordings. Musically leaning toward electronic club music genres such as house and Detroit techno, it features production work from Zack Sekoff, Sophie, Ray Brady, Jimmy Edgar, GTA, Justin Vernon and Flume, among others; as well as vocal contributions from a variety of artists including Kilo Kish, Kendrick Lamar, Juicy J, Ty Dolla Sign, Damon Albarn, Ray J and ASAP Rocky.
User Album Review
Right from fiery opener ‘Crabs In A Bucket’, Staples’ propulsive, hypnotic flow has never sounded stronger. His lyrics, meanwhile, are emotionally calibrated for 2017: antsy, alienated and occasionally overcome with nihilistic despair at the state of the world. And his bleak lyrical brilliance is perfectly matched by ‘Big Fish Theory’’s experimental production. He’s always had a taste for harsh electronic funk, and he embraces that creative urge more eagerly than ever. There’s slo-mo techno, dystopian G-funk, field recordings, growling industrialism; abstract, icy grooves more indebted to Berlin than Atlanta.
“We making future music,” announced Staples in the run-up to ‘Big Fish Theory’’s release. “This is my Afro-futurism.” Whatever this is, it’s jaw-dropping. Over to you, Kendrick.
Reviewed by nme.com
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Available in:
"Big Fish Theory " is the second studio album by American rapper Vince Staples. It was released on June 23, 2017, by ARTium Recordings, Blacksmith Records and Def Jam Recordings. Musically leaning toward electronic club music genres such as house and Detroit techno, it features production work from Zack Sekoff, Sophie, Ray Brady, Jimmy Edgar, GTA, Justin Vernon and Flume, among others; as well as vocal contributions from a variety of artists including Kilo Kish, Kendrick Lamar, Juicy J, Ty Dolla Sign, Damon Albarn, Ray J and ASAP Rocky.
User Album Review
Right from fiery opener ‘Crabs In A Bucket’, Staples’ propulsive, hypnotic flow has never sounded stronger. His lyrics, meanwhile, are emotionally calibrated for 2017: antsy, alienated and occasionally overcome with nihilistic despair at the state of the world. And his bleak lyrical brilliance is perfectly matched by ‘Big Fish Theory’’s experimental production. He’s always had a taste for harsh electronic funk, and he embraces that creative urge more eagerly than ever. There’s slo-mo techno, dystopian G-funk, field recordings, growling industrialism; abstract, icy grooves more indebted to Berlin than Atlanta.
“We making future music,” announced Staples in the run-up to ‘Big Fish Theory’’s release. “This is my Afro-futurism.” Whatever this is, it’s jaw-dropping. Over to you, Kendrick.
Reviewed by nme.com
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