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Track List
01) Prologue
02) Do Anything
03) Open Up
04) Get a Little Freaky With Me
05) Pick Up the Phone
06) Don't Be Afraid (Jazz You Up version)
07) Until I Found You
08) You Keep Me Crying (interlude)
09) Don't Be Afraid (Introduction)
10) Don't Be Afraid (Sex You Down Some Mo' versi
11) Let's Make Love
12) When You Need Me
13) I Miss You
14) Until the End of Time
15) Epilogue
01) Prologue
02) Do Anything
03) Open Up
04) Get a Little Freaky With Me
05) Pick Up the Phone
06) Don't Be Afraid (Jazz You Up version)
07) Until I Found You
08) You Keep Me Crying (interlude)
09) Don't Be Afraid (Introduction)
10) Don't Be Afraid (Sex You Down Some Mo' versi
11) Let's Make Love
12) When You Need Me
13) I Miss You
14) Until the End of Time
15) Epilogue
0:11
6:23
4:24
4:08
4:16
5:23
6:13
2:11
0:52
4:31
6:31
5:51
6:21
4:47
0:31
Data Complete
70%
Total Rating
70%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1993
R&B
Smooth
Urban/R&B
---
Medium
Album
0 copies
Album Description
Available in:
The Truth is the debut solo album by American R&B singer Aaron Hall,lead singer of Guy. The album reached #7 on Billboard's Top R&B Albums, #47 on the Billboards 200, and scored five hit singles: "Don't Be Afraid", "Get a Little Freaky with Me", "Let's Make Love", "I Miss You" and "When You Need Me".
"I Miss You" was the biggest pop hit from the album, peaking at #14 on Billboards Hot 100 and Don't Be Afraid peaked #1 on Billboards Top R&B Songs chart, a number-one hit for two consecutive weeks.
User Album Review
It was Aaron Hall's vocals that powered tracks like "My Fantasy" and "Jam" during his tenure as the lead singer of Guy. After Guy split in 1990, it was inevitable that Hall would go on to a solo career. Released in 1993, The Truth hit the shelves sounding dated in spots, due in part to the ever-changing style of early-'90s urban contemporary. Over the course of this debut solo album, Hall's use of the Gap Band's Charlie Wilson as a reference point does get tiring. More often than not, the production strength overshadows Hall's persona, which is barely there. Much to the dismay of many fans, Hall's 1991 big hit, "Don't Be Afraid," shows up here as a remix rather than the superior version released on the Juice soundtrack. That mistake makes this album less than it could have been. Truth be told, Hall's slick Romeo act was also a bust-out, as the top-notch weeper "I Miss You" has Hall giving the best performance here. "Don't Be Afraid (Sex You Down Some Mo' Version)," despite it's he-man subtitle, has Hall begging and calling himself "little ol' me." "Let's Make Love" steams it up successfully despite his showboating and breathy spoken intro. The last full track, "Until the End of Time," possesses a great melody and coasts on the good momentum of the better songs. Divorced from the new jack swing demands and crossover aims, The Truth is an enjoyable listen.
External Album Reviews
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User Comments
Available in:
The Truth is the debut solo album by American R&B singer Aaron Hall,lead singer of Guy. The album reached #7 on Billboard's Top R&B Albums, #47 on the Billboards 200, and scored five hit singles: "Don't Be Afraid", "Get a Little Freaky with Me", "Let's Make Love", "I Miss You" and "When You Need Me".
"I Miss You" was the biggest pop hit from the album, peaking at #14 on Billboards Hot 100 and Don't Be Afraid peaked #1 on Billboards Top R&B Songs chart, a number-one hit for two consecutive weeks.
User Album Review
It was Aaron Hall's vocals that powered tracks like "My Fantasy" and "Jam" during his tenure as the lead singer of Guy. After Guy split in 1990, it was inevitable that Hall would go on to a solo career. Released in 1993, The Truth hit the shelves sounding dated in spots, due in part to the ever-changing style of early-'90s urban contemporary. Over the course of this debut solo album, Hall's use of the Gap Band's Charlie Wilson as a reference point does get tiring. More often than not, the production strength overshadows Hall's persona, which is barely there. Much to the dismay of many fans, Hall's 1991 big hit, "Don't Be Afraid," shows up here as a remix rather than the superior version released on the Juice soundtrack. That mistake makes this album less than it could have been. Truth be told, Hall's slick Romeo act was also a bust-out, as the top-notch weeper "I Miss You" has Hall giving the best performance here. "Don't Be Afraid (Sex You Down Some Mo' Version)," despite it's he-man subtitle, has Hall begging and calling himself "little ol' me." "Let's Make Love" steams it up successfully despite his showboating and breathy spoken intro. The last full track, "Until the End of Time," possesses a great melody and coasts on the good momentum of the better songs. Divorced from the new jack swing demands and crossover aims, The Truth is an enjoyable listen.
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