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Track List
01) You Got to Believe
02) Walkin' One and Only
03) O'Reilly at the Bar
04) Moody Richard (The Innocent Bystander)
05) Flight of the Fly
06) I Scare Myself
07) Philly Rag
08) The Laughing Song
09) Canned Music
10) I'm an Old Cowhand (From the Rio Grande)
11) Woe, the Luck
12) Presently in the Past
13) Skippy's Farewell
14) Fujiyama
01) You Got to Believe
02) Walkin' One and Only
03) O'Reilly at the Bar
04) Moody Richard (The Innocent Bystander)
05) Flight of the Fly
06) I Scare Myself
07) Philly Rag
08) The Laughing Song
09) Canned Music
10) I'm an Old Cowhand (From the Rio Grande)
11) Woe, the Luck
12) Presently in the Past
13) Skippy's Farewell
14) Fujiyama
2:57
2:47
2:53
4:01
2:38
5:45
0:38
3:03
3:34
2:49
5:11
3:14
1:01
0:40
Data Complete
60%
Total Rating
60%Total Rating
(1 users)
Back Cover
CD Art
3D Case
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3D Spine
First Released
1972
Country
Gritty
Country
---
Medium
Album
0 copies
Album Description
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Striking It Rich features 14 more sides of hipster acoustic swing from Hicks and his helpmates, including the fan favorites "I Scare Myself" and "Canned Music." The band's musicianship remains mostly on the mark, but there are elements of the album that go beyond kitsch and the humor here is considerably darker than in the past -- perhaps early signs of fading inspiration? The jazz flourishes of "Flight of the Fly" are nice, but not enough to lift this album's darker spirits. "Moody Richard (The Innocent Bystander)" may be among the most well-known numbers on this album, but with its string arrangements and uncharacteristically slick production, it suggests the band wasn't always above playing the commercial game. Maybe the album's title was meant as more than just wishful thinking.
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Available in:
Striking It Rich features 14 more sides of hipster acoustic swing from Hicks and his helpmates, including the fan favorites "I Scare Myself" and "Canned Music." The band's musicianship remains mostly on the mark, but there are elements of the album that go beyond kitsch and the humor here is considerably darker than in the past -- perhaps early signs of fading inspiration? The jazz flourishes of "Flight of the Fly" are nice, but not enough to lift this album's darker spirits. "Moody Richard (The Innocent Bystander)" may be among the most well-known numbers on this album, but with its string arrangements and uncharacteristically slick production, it suggests the band wasn't always above playing the commercial game. Maybe the album's title was meant as more than just wishful thinking.
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None...
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