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Track List
01) Chord Left
02) Fuel to Fire
03) Dorian
04) Aventine
05) Run Cried the Crawling
06) Tokka
07) The Curse
08) Pass Them By
09) Words Are Dead
10) Fivefold
11) Smoke & Mirrors
01) Chord Left
02) Fuel to Fire
03) Dorian
04) Aventine
05) Run Cried the Crawling
06) Tokka
07) The Curse
08) Pass Them By
09) Words Are Dead
10) Fivefold
11) Smoke & Mirrors
2:29
5:29
4:48
4:08
4:26
1:30
5:53
3:31
3:46
1:59
2:59
Data Complete
60%
Total Rating
60%Total Rating
(2 users)
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First Released
2013
Classical
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Folk
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Medium
Album
0 copies
Album Description
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Aventine is the second studio album by Danish singer-songwriter Agnes Obel, released on 30 September 2013 by PIAS Recordings. The album received positive reviews from music critics. It was also a commercial success, charting inside the top 40 of the charts in nine countries.
Background
The album was announced in June 2013. The album was written, produced, arranged, and mixed by Obel herself at Chalk Wood Studios from 2012 to 2013. In January 2013, the album was given its final mixdown. The album features the instrumentation of Timber Timbre musician Mika Posen.
On Aventine, Agnes Obel commented : "I recorded everything quite closely, miking everything closely in a small room, with voices here, the piano here - everything is close to you. So it's sparse, but by varying the dynamic range of the songs I could create almost soundscapes. I was able to make something feel big with just these few instruments."
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Available in:
Aventine is the second studio album by Danish singer-songwriter Agnes Obel, released on 30 September 2013 by PIAS Recordings. The album received positive reviews from music critics. It was also a commercial success, charting inside the top 40 of the charts in nine countries.
Background
The album was announced in June 2013. The album was written, produced, arranged, and mixed by Obel herself at Chalk Wood Studios from 2012 to 2013. In January 2013, the album was given its final mixdown. The album features the instrumentation of Timber Timbre musician Mika Posen.
On Aventine, Agnes Obel commented : "I recorded everything quite closely, miking everything closely in a small room, with voices here, the piano here - everything is close to you. So it's sparse, but by varying the dynamic range of the songs I could create almost soundscapes. I was able to make something feel big with just these few instruments."
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