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Track List
01) Stiff Upper Lip
02) Meltdown
03) House of Jazz
04) Hold Me Back
05) Safe in New York City
06) Can't Stand Still
07) Can't Stop Rock 'n' Roll
08) Satellite Blues
09) Damned
10) Come and Get It
11) All Screwed Up
12) Give It Up
01) Stiff Upper Lip
02) Meltdown
03) House of Jazz
04) Hold Me Back
05) Safe in New York City
06) Can't Stand Still
07) Can't Stop Rock 'n' Roll
08) Satellite Blues
09) Damned
10) Come and Get It
11) All Screwed Up
12) Give It Up
3:34
3:41
3:56
3:59
3:59
3:41
4:02
3:46
3:51
4:02
4:36
3:53
Data Complete
90%
Total Rating
90%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2000
Hard Rock
Energetic
Rock/Pop
---
Medium
Album
0 copies
Album Description
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Stiff Upper Lip is the 14th Australian and 13th international studio album by Australian hard rock band AC/DC; it was released in February 2000. The album was recorded at The Warehouse Studio in Vancouver, British Columbia and mastered at Sterling Sound in New York City. The album was produced by George Young, older brother of Malcolm and Angus Young. The three singles to be released from it were the title track, "Safe in New York City", and "Satellite Blues". These three songs plus "Meltdown" were played live on the subsequent world tour.
This album was re-released in the US on 17 April 2007 as part of the AC/DC Remasters series. It was re-released in the UK in 2005.
The album is currently certified platinum in the US for shipments in excess of 1,000,000 copies.
User Album Review
Stiff Upper Lip, AC/DC's 15th studio album, may not reach the heights of Back in Black or Highway to Hell, but it delivers strongly and satisfyingly. It's the record that the highly touted, Rick Rubin-produced Ballbreaker should have been: a simple, addictive, hard album, bursting with bold riffs and bolstered by a crunching, thrillingly visceral sound. Sure, there are absolutely no new ideas, but that's the point. AC/DC know their strengths and they embrace them. And why shouldn't they? Nobody writes a better riff than Malcolm and Angus Young; each song has a riff so catchy, it feels like you've heard it for years. Is there anything earth-shaking? Hardly, but it's largely terrific nonetheless, just because AC/DC are so good at what they do. It's simple music, to be sure, but it's unassumingly musical and, in a way rather smart. If making music like this was really that easy, why can't anybody else do it this well? Some bands are capable of knocking out one record like this -- one, maybe two. AC/DC do it nearly every time out. They've never really stretched, yet that's why they have one of the most reliable catalogs in rock & roll. When you put on one of their records, you know what you're in for, and they always deliver. With Stiff Upper Lip, they're not at classic status, but they're still top-notch. This may not be the first AC/DC record for a collection, but once you're into their scene, it's a fine place to be.
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User Comments
Available in:
Stiff Upper Lip is the 14th Australian and 13th international studio album by Australian hard rock band AC/DC; it was released in February 2000. The album was recorded at The Warehouse Studio in Vancouver, British Columbia and mastered at Sterling Sound in New York City. The album was produced by George Young, older brother of Malcolm and Angus Young. The three singles to be released from it were the title track, "Safe in New York City", and "Satellite Blues". These three songs plus "Meltdown" were played live on the subsequent world tour.
This album was re-released in the US on 17 April 2007 as part of the AC/DC Remasters series. It was re-released in the UK in 2005.
The album is currently certified platinum in the US for shipments in excess of 1,000,000 copies.
User Album Review
Stiff Upper Lip, AC/DC's 15th studio album, may not reach the heights of Back in Black or Highway to Hell, but it delivers strongly and satisfyingly. It's the record that the highly touted, Rick Rubin-produced Ballbreaker should have been: a simple, addictive, hard album, bursting with bold riffs and bolstered by a crunching, thrillingly visceral sound. Sure, there are absolutely no new ideas, but that's the point. AC/DC know their strengths and they embrace them. And why shouldn't they? Nobody writes a better riff than Malcolm and Angus Young; each song has a riff so catchy, it feels like you've heard it for years. Is there anything earth-shaking? Hardly, but it's largely terrific nonetheless, just because AC/DC are so good at what they do. It's simple music, to be sure, but it's unassumingly musical and, in a way rather smart. If making music like this was really that easy, why can't anybody else do it this well? Some bands are capable of knocking out one record like this -- one, maybe two. AC/DC do it nearly every time out. They've never really stretched, yet that's why they have one of the most reliable catalogs in rock & roll. When you put on one of their records, you know what you're in for, and they always deliver. With Stiff Upper Lip, they're not at classic status, but they're still top-notch. This may not be the first AC/DC record for a collection, but once you're into their scene, it's a fine place to be.
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