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Track List
01) Point the Blame
02) Sounds Good, but I Don't Know
03) It Takes Some Time
04) What Goes Around Comes Around
05) Arm to Arm
06) Guilty Pleasures
07) Bloomfield Ave.
08) Hard to Impress
09) San Francisco Payphone
10) Wreck of the Sloop John B
11) Neverending Story
12) Thinking About Things
13) Alone in a Crowd
14) [untitled]
01) Point the Blame
02) Sounds Good, but I Don't Know
03) It Takes Some Time
04) What Goes Around Comes Around
05) Arm to Arm
06) Guilty Pleasures
07) Bloomfield Ave.
08) Hard to Impress
09) San Francisco Payphone
10) Wreck of the Sloop John B
11) Neverending Story
12) Thinking About Things
13) Alone in a Crowd
14) [untitled]
2:19
1:58
3:07
2:41
2:09
2:24
3:11
2:07
2:51
2:30
2:36
2:00
2:29
1:32
Data Complete
60%
Total Rating
60%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2000
Ska Punk
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Punk
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Album
0 copies
Album Description
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The first album Catch 22 made after the iconic Keasbey Nights, and the first with the band's second lineup (having lost, among others, Tomas Kalnoky, their vocalist and songwriter). The album ends with 7 (seven) blank tracks 0:22 long each and a bonus track, artificially raising the track count to 22.
If anything sets Catch 22 apart from the myriad other ska-punk ensembles, it's the scorching guitar of Pat Calpin, which transforms Alone in a Crowd from simply another quirky dance record to something bordering arena-sized hard rock. The songs themselves are typically angst-ridden affairs, although "San Francisco Payphone" and the aptly titled "Wreck of the Sloop John B" mix things up enough to keep the listener interested.
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Available in:
The first album Catch 22 made after the iconic Keasbey Nights, and the first with the band's second lineup (having lost, among others, Tomas Kalnoky, their vocalist and songwriter). The album ends with 7 (seven) blank tracks 0:22 long each and a bonus track, artificially raising the track count to 22.
If anything sets Catch 22 apart from the myriad other ska-punk ensembles, it's the scorching guitar of Pat Calpin, which transforms Alone in a Crowd from simply another quirky dance record to something bordering arena-sized hard rock. The songs themselves are typically angst-ridden affairs, although "San Francisco Payphone" and the aptly titled "Wreck of the Sloop John B" mix things up enough to keep the listener interested.
User Album Review
None...
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