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Track List
01) We No Who 'U 'R
02) Wide Lovely Eyes
03) Water's Edge
04) Jubilee Street
05) Mermaids
06) We Real Cool
07) Finishing Jubilee Street
08) Higgs Boson Blues
09) Push the Sky Away
01) We No Who 'U 'R
02) Wide Lovely Eyes
03) Water's Edge
04) Jubilee Street
05) Mermaids
06) We Real Cool
07) Finishing Jubilee Street
08) Higgs Boson Blues
09) Push the Sky Away
4:04
3:40
3:49
6:35
3:49
4:18
4:28
7:50
4:07
Data Complete
70%
Total Rating
70%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2013
Alternative Rock
Rousing
Rock/Pop
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Album
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Album Description
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Push the Sky Away is the fifteenth studio album by the Australian alternative rock band Nick Cave and the Bad Seeds, due to be released on 18 February 2013 on the band's own label Bad Seed Ltd.Recorded at La Fabrique in southern France, it is the band's first album not to feature founding member Mick Harvey, who departed the band in January 2009.Push the Sky Away was recorded at La Fabrique, a recording studio based in a 19th century mansion in Saint-Rémy-de-Provence, France. It was produced by Nick Launay, who produced Nick Cave and the Bad Seeds three previous studio albums—Nocturama (2003), Abattoir Blues/The Lyre of Orpheus (2004) and Dig, Lazarus, Dig!!! (2008)— and Grinderman's two studio albums. Segments of the album's recording sessions were featured in the official trailer for Push the Sky Away, which was posted on YouTube upon the album's announcement.The band entered the studio when Nick Cave had "unformed and pupal" ideas, and the band "[transformed] them into things of wonder."
Describing Push the Sky Away in the album's press release, Nick Cave said "if I were to use that threadbare metaphor of albums being like children, then Push The Sky Away is the ghost-baby in the incubator and Warren's loops are its tiny, trembling heart-beat."The songs on the album were written over the course of twelve months and "took form in a modest notebook" kept by Cave. The notebook contained notes on the album's songs, which were composed from "Googling curiosities, being entranced by exotic Wikipedia entries 'whether they’re true or not'."According to Cave, the songs illustrate how the internet has influenced "significant events, momentary fads and mystically-tinged absurdities" and "question how we might recognise and assign weight to what's genuinely important."
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Available in:
Push the Sky Away is the fifteenth studio album by the Australian alternative rock band Nick Cave and the Bad Seeds, due to be released on 18 February 2013 on the band's own label Bad Seed Ltd.Recorded at La Fabrique in southern France, it is the band's first album not to feature founding member Mick Harvey, who departed the band in January 2009.Push the Sky Away was recorded at La Fabrique, a recording studio based in a 19th century mansion in Saint-Rémy-de-Provence, France. It was produced by Nick Launay, who produced Nick Cave and the Bad Seeds three previous studio albums—Nocturama (2003), Abattoir Blues/The Lyre of Orpheus (2004) and Dig, Lazarus, Dig!!! (2008)— and Grinderman's two studio albums. Segments of the album's recording sessions were featured in the official trailer for Push the Sky Away, which was posted on YouTube upon the album's announcement.The band entered the studio when Nick Cave had "unformed and pupal" ideas, and the band "[transformed] them into things of wonder."
Describing Push the Sky Away in the album's press release, Nick Cave said "if I were to use that threadbare metaphor of albums being like children, then Push The Sky Away is the ghost-baby in the incubator and Warren's loops are its tiny, trembling heart-beat."The songs on the album were written over the course of twelve months and "took form in a modest notebook" kept by Cave. The notebook contained notes on the album's songs, which were composed from "Googling curiosities, being entranced by exotic Wikipedia entries 'whether they’re true or not'."According to Cave, the songs illustrate how the internet has influenced "significant events, momentary fads and mystically-tinged absurdities" and "question how we might recognise and assign weight to what's genuinely important."
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